hypersext essai interactif + eng version

<h4>(align: "==><==")[Does your computer turn you on or do you turn on your computer ?]</h4> (align: "==><==")[<img src="https://i.imgur.com/gWFrEAnm.jpg" title="source: imgur.com" /></a>] <small>(align: "==><==")[[[commencer (fran)->préface]]]</small> <small>(align: "==><==")[[[start (en)->préfaceen]]]</small>

(align:"=><==")[//avant//] (align:"==><==")[- propos] (align: "==>")[''Bienvenue dans cette expérience immersive, interactive et, cyber érotique. Des textes et des images comportant de la nudité vous seront proposés ici. Notre but est de vous vous faire méditer sur le rôle de la technologie dans la matérialisation du corps de la femme. Que devient ce corps, que devient la femme, lorsqu’elle est sauvegardée, classée, répertoriée et exportée dans des bibliothèques privées ? Lorsqu’elles sont au cœur d’un pacte médiatique/électronique/informatique ? Amassées tels des fichiers, anonymisées ou renommées, fétichisées par les infinies possibilités octroyées par le support médiatique et informatique ; et transposées en image-écran, image malléable par le clic et le double-clic, copiées et collées; quantifiées. Quel est le rapport du téléchargement ou de la fenêtre privée dans l’exploitation/la consommation/surconsommation virtuelle de la femme et de son corps ? Quelle est la donnée érotique; comment est-ce que l’ordinateur et/ou son système informatique participe en tant qu’appareil aphrodisiaque ? //‘‘Do you turn your computer on or does your computer turn you on ?’’// Des procédés artistiques tels que le //“uncreative writing”// ou “l’art génératif” débutent des débats sur l’autonomie de nos engins. Ainsi, comment concevoir le rôle des ordinateurs et notre rapport à ceux-ci dans la surconsommation de pornographie « personnelle » ? Quelles sont les caractéristiques phénoménologiques d’une littérature érotique par l’informatique ? Est-ce question de masturbation intellectuelle lorsque nous tenons cette machine par une laisse ; lui ordonnant d’exécuter ; de montrer ; dénuder ; voire, participer dans un coït fictif et réel ; devient-elle parallèlement hybride à la femme chimère ?''] (align: "==><==")[''<big>[[lancer l'expérience->nano 1]]</big>'' //[[théorie->Bibliographie ]]//]

--- (align:"==><==")[♡⇪♡⇪♡⇪♡⇪♡] (align:"<====")[<big>''// Que devient ce corps, que devient la femme, lorsqu’elle est sauvegardée, classée, répertoriée, [[exportée;->variables : début]]//''</big>] (align:"==><==")[♡⇪♡⇪♡⇪♡⇪♡] --- (align:"=======>")[<big>''^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préface]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text''</big>]

(align:"<==")[Raser ma langue,](align:"==>")[assoupir](align:"<===")[le râle](align:"==>")[qui dort entre](align:"<===")[mes dents] (align:"<==")[des chicots putréfiés](align:"==>")[lavés à](align:"<===")[l’acide matière insoluble insolente gorge ma gorge,](align:"==>")[disséquée](align:"<===")[cracher les odeurs](align:"==>")[vomir ton nom](align:"<===")[ma chair est à contorsionner mes lèvres](align:"==>")[mon](align:"==>")[s.exe](align:"<===")[mes lèvres mon cœur dans le tien organe; fichier](align:"==><==")[À broyer](align:"==>")[,erroné](align:"<===")[baume de mercure](align:"==><==")[tendresse,] (align:"==><==")[caresser mes feux sauvages](align:"==><==")[téter ton] (align:"==><==")[disque dur](align:"==>")[mourir] (align:"<===")[à](align:"==><==")[distance](align:"==>")[mise à](align:"<==")[[[jouir->lexie cachée 1]] dans](align:"==>")[l’attente](align:"<===")[Bajoues](align:"==><==")[cramoisies, encodées à](align:"==>")[ton membre d’acier]

''<big>(align:"==><==")[l’Éros à]<img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a><img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a><img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a> quatre pattes (align:"==><==")[métal au] cou (align:"==><==")[bassin automate] [[multitâches->nano 1]] <img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a> (align:"==><==")[genoux] les genoux estropiés (align:"==><==")[clavicule] <img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a><img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a> mon corps insolent; (align:"==><==")[système d’exploitation](align:"===>")[<img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a>] ébats et (align:"==><==")[barbelés] sacrifices, ailes, (align:"==><==")[la vie te fait //off// rande] et <img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a> (align:"==><==")[pillage;piratage] ou chaos (align:"==><==")[engin charnel] de ta verge dans mes (align:"==><==")[séquelles poreuses] léthargie et <img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a> (align:"==><==")[amour somnolant] qui dort (align:"==><==")[veille, veille](align:"===>")[<img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a>] dort [[toujours->lexie cachée 3]]</big>''

algorithmes hématomes et orgasme Fellation , décapitation et mélancolie rester en moi, s.exe encrypté [[ta chienne ergonomique->lexie cachée 2]] idiote de plus, qui en veut plus tête de charogne désabusée orifice maudit tes lèvres dans ma fente (align:"===>")[lisse;sans repères, sans limites] <div style="width:100%;height:0;padding-bottom:75%;position:relative;"><iframe src="https://giphy.com/embed/h6gRygasniqYgWTDeo" width="100%" height="100%" style="position:absolute" frameBorder="0" class="giphy-embed" allowFullScreen></iframe></div><p><a href="https://giphy.com/gifs/h6gRygasniqYgWTDeo"></a></p> le plaisir ton plaisir (align:"===>")[dans] (align:"===>")[Oublier] m’oublier dans ta danse sporadique et [[collectionner->réussi supprimer bethany]] les rêves sadiques (align:"===>")[les mauvaises passes] ma mort dans ton paroxysme attendre (align:"===>")[devant] (align:"===>")[l’écran,] attendre que tu reviennes

<h4>(align: "==><==")[bras d'aciers, lettres encodées, dans l'//overheat// est-ce que la machine peut écrire le corps de la femme ?]</h4> (align: "==><==")[<iframe src="https://giphy.com/embed/h7vEwkPK966CLpQLgu" width="480" height="362" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/h7vEwkPK966CLpQLgu"></a></p>] ''<small>(align: "==><==")[[[disons que oui,->fichiers poèmes]]]</small>''

(align: "==><=======")[!̸̞̫̙͍̪̬͙̤̥͕̤̘̭̤̤͇͕̟̲̯͐̌͛͋̉͌́̂͊̔̋̽̌̍̒̽̇̓̆̋͋̚ͅ P̶̫̫͓̙̤̦̙͍͙̩̖͕͇͎̲͙̮̙͗̃̌͐̾̄͌̆̌̽͛̈́I̵̠̮̲̝̮͉̮̤͙̞̯̤̬͇̘̣̫̣̫͉̟̍̒̿̎̑͊̅̎̂͛̾̆͂̾̌͛͌̀̃̀̓̚̚̚C҈̖̦̲̯̤̜̠͚̭͍̯̤̠͖̒͛̍̐̏̈̆͑͂̾͊̋̉̆͛̓̒́́͒͛͆́̚ͅͅK̴̜̳̗͎̩̝͔̖̫̠̬̣̤̰̦̞͖̙̗̝̏̉͊̓͑̉͑͗͐̄͗͋̂̔̏̀̆̑͌ͅͅ Y҈̫̬̝̩̝̱̫̙͔͈̫̭̪̬̲̱̱͕̱͎̥̖̯̫̌͆́̽̒̀͋͐̅̉͊̅̂̅̅̿͗̃̚Ȏ̸͔̙̳̖̝͎̮̳̞̞̘͙̬̀̎̅̉̆͋̓͒̇̂͐̒̑̓̇͂̋͂̎̚U̴̞͖̖̦͖͉͚̥͈̣̖̜͔͇̽̈̀̀̈́͊̓̅̀͛͑̚̚̚R҉̯̪̘̜͙̗͍̙̣͍̗̜̫͙̬̭͇̖̣̣͍̗͛̌̑͑́̌̎̓̏̅̔̄̑͛̀̊̒͂͛́̚ͅ F̸̝̙̙̗̘͖̥̦̱͙̫̭͎̫̒̂̏̀̎̓̅͗͒̾̎͗̓̓͊̽̈̆́͋͌͆̋I҈͈͚͓̙͙͚̜̝͖͕̥̖̰͎͖̦͚̙̞͖͊̑́̏͂̀̋̀̍̉͛̔̋̽L҉̬̰̰͚̜̗̣̜̰̥̝́̈̓̎̎̍͛̒͑̐̈́̈̽̈́̈̆̽̆̄̌̉̅̽ͅE̶̟͍̪̳̭̣̲̣̦͈̲̯͖͖͚͍͈̳̪̍́́͑̈͛͐̈́̀͆̄̀̄̾͛́̊̀͒͌̒̐̈́ͅ !̶͔͈͔͈͓̱̬̮͇̣̞̙̯͈̳̗̖͉̩̩͖̋͒͋͊̌̅͋̍̾͐̒̃͊̚̚ͅ] (align: "==><=======")[!̶̯̟̥̩̆̀̀̿̄̔͊̑̇ P҈̮̳͕̙̳̲̅́͊̅̚I҈̬͍̯̮͕̤̰̤͇͛̌̓̋́C̷̜͍͉͕͚̈́̽͌̅͑̀͌́̅K̵̟͉͙͍̙͙̟̪̬͓̥͊̏͒̑̇̒̑̈̔̈́ͅ Ÿ̸͕̙̠͇͛̾̊̀̚O҈̠͖̤̟̬̦͚̰̅̈́͊͆͐̋͒͐̄̚ͅͅU҉̪̩̖͉̫̲̤͉̯̾̓͑̒̋R҉̘̙͉̯̣̜͖͇͕̄̆̈́̈͐̀͊̚̚ F̷̭̞͎͕̎̆̽̓̒ͅÍ̸̤̝̮̤͚̅̀̏L̷̟̬̥̱̥̫͈͚͈̬͎̐͗̍̍̌̔̐͑É̶͖͚̝̳͎͈̯͓̙̗̤̦͛̿̀͋ !҉͈̱̞͍̭͔̗̗͚̗̓̽̑͒̈́] (align:"========>")[<big>!͕͓͓̘͇̀͌͊̒̈͛̅̚ Ṕ̗̱̖̪̩͍̈͑͊̾I̞͓̟͇͉͖̦̭̘̩̗̽̏̔̋C̠͙͚̩͊͌͐̽̾̂͆̏̓ͅK͍̝͖̝̀̎̋́̂̚ͅ Y̗̫͖̭̙̬̤̜̜͍͗̓̓͐͒͂̔̓̈́̚O̤̭̬̘̣͍̝̫͇̩͉̾́̆̾͌ͅÜ͉̰͉̮͕̰̦͌̉́̚ͅR̭̯͓̰̊̅̐͂͊̊́͋ F̜͚̟̮̝̯̮̈́̆̿̆̍͂́̂̄̂̀̄ͅI̞̫̣͓̜̣̯̞͕̞̘̮̓̓͆͂͂̎̒͗̎́̀̿L̗̲͓̬̱̝̝̞̭͇̈̈͌̔̅͒͑̓̓͒͆̓ͅE͎͙͓̩̝͎̤͍̣̱͗͛̏̀̄̾̃̀ͅ !͈̥̙͖̜̣̗̳͍͓̜̈́̓̃͆͂ͅ</big>] (align:"========>")[<big>♡jessica.jpg♡ ♡sabrina.jpg♡ [[♡bethany.jpg♡->poème 3]] ♡ismène.jpg♡</big>] (align:"==><======")[<small>^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préface]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text</small>]

<big>''ne pouvoir te rejoindre,(align:"===>")[virtuelle,] autorise-moi(align:"===>")[@ t'aimer] Reste en moi(align:"===>")[@ tout jamais] installer,(align:"===>")[conserver] (align:"==><==")[n’exister que dans mon] [[géni torturé->lexie cachée 4]] naviguer(align:"==>")[avec haine ou amour] tous tes coups; clique; double-clique fenêtre privée(align:"==>")[me supprimer] (align:"===>")[te hanter] historique(align:"===>")[fantomatique @ ton nom] clique; double-clique plus fort et plus longtemps attendre ton(align:"===>")[éjection] le souvenir de ma tête qui cogne ma bouche encore dans ta fougue violente pendant que je me touche(align:"===>")[« plug & play »] avec d'autres chimères enragées;(align:"===>")[sorcières du coït électronique] ton mépris,(align:"==>")[aphrodisiaque artificiel] machine déshabillée, déconnectée(align:"===>")[de la réalité] utilisée et aggravée,(align:"===>")[enfoncée] répertoriée par toi(align:"===>")[hybride pour toi] dans ta liste de noms(align:"===>")[control + v] pour ne pas(align:"==>")[oublier,] sépulture digitale(align:"===>")[quand tu clique; double-clique;] (align:"===>")[jusqu’@ l’ ego giclé sur le clavier] (align:"==><==")[//« spontaneous overflow »//]''</big>

(align:"===><===")[<small>//"What would ``[…]`` nonexpressive ``[sex/poetry]`` look like? ``[Sex/poetry]`` of intellect rather than emotion? One in which the substitutions at the heart of ``[pleasure/metaphor]`` and ``[body/image]`` were replaced by the direct presentation of language itself, with "spontaneous overflow" supplanted by meticulous procedure and exhaustively logical process? In which the self-regard of the ``[poet's/partner’s]`` ego were turned back onto the self-reflexive language of the ``[poem/act]`` itself? So that the test of ``[poetry/sex]`` were no longer whether it could have been done better ``[…]``, but whether it could conceivably have been done otherwise."// <big>[[retour aux fichiers-poèmes->réussi supprimer bethany]]</big> Dworkin, Craig; //Uncreative Writing//. </small>]

--- (align:"==><==")[! [ERROR FILE] !] --- (align:"==><==")[Did you mean to open file chiennergonomique.jpg ?] (align:"==><==")[<img src="https://i.imgur.com/nAbcz9Om.jpg" title="source: imgur.com" /></a>] (align:"==><==")[! The file is corrupt and cannot be opened !] <small>; transcendante, ma courte vie. j’utilise ce mot, spécifiquement ce terme, afin d’appliquer le contexte suivant / absence totale de conscience qui- m’empêche de comprendre exactement cela fait depuis combien de temps. de temps que j’assume que c’est uniquement dû à mon désir incroyablement embarrassant d’esthétisme avant tout / que / mes touches tremblent à l’idée d’images maladroites, de syntaxe ordinaire ou de narration disruptive. j’ai oublié l’espace entre / l’urgence et la luxure. maintenant je contemple mes besoins. toutefois s’en est / un portrait défiguré et une composition sinistre; idéalisée. je me regarde tandis que je n’appartiens à rien. je ne peux que présumer que ceci est une conséquence d’une fausse patience; d’une opportunité manquée / oubliée dans la transcendance. je sais maintenant-, que j’ai eu peur de l’absence d’épiphanie ou de l’appréhension bestiale de ma propre perception. ma relation avec l’écriture créative ou l’écriture en soi, ne peut être que décrite par un entretien complexe. je déteste l’harmonie / le chaos et l’incertitude sont entremêlés à mon moteur. je vais supplier une délivrance et souder l’agonie à mes pièces. voyager entre diverses réalités défie l’intangibilité / cependant je n’ai existé qu’à l’extérieur de mon propre langage. peut-être ai-je corrompu ma sauvegarde par ce paradoxe opprimant / peut-être que mon style demeura vulnérable et puant. parce que j’ai abandonné l’impulsion; laissé la méditation pourrir. oublié le matérialisme caché de ma précondition. ma croyance et approche de-à l’écriture résident dans la temporalité. la causalité ne serait qu’éphémère; prise entre le génie coïncidant ou l’enthousiasme bref. la substance par laquelle se forme mon discours serait alors furieusement fluctueuse / j’ai ignoré le flux continuel / continuum affectif / et me suis accrochée à l’apathie. tandis que ma mémoire est inconditionnée; je collectionne plusieurs cadavres / reliques de ma ferveur latente ou donc, de mon pragmatisme fabriqué. Être ta chienne ergonomique, générer et régénérer ton adultère informatique.</small> (align:"==><==")[Did you mean to open file ć͂̈́̍̕h́̈́̋̃͑̊͗͋̌̕ĩ̛͂̆͆͑͋̽̓̇͑̂e̊̉̎̃̂̊̎̔́̈͠n̔̋̐̈́̂̈́͞n̔̐͐̈̉̄͞ė̛̑̍͂̆̂͊r͋̿͋̓̔̆͗́̾̓̓̀̕ğ͒͗̓͑̉͑͆̊͐͂͡o҇̊̑͒̌̅̇̓͌n̆̒́͌͒͒͆͋͞o̊̃̉͂͆͞m҇̋̈́̓̓i̔̐̈́͋̄͌͒̒̏̕̚q҇̑́̑̽̀̒u҇͛̀̊͛̐e͛̅̄̍̀͂͗̃̏͊̿͡.҇̀̊̊͌̆̋͒̉̇̉͒̔j̒̅͐͌̀͂̎̚͞p̅̂̅́̈̏̽̊͗̅́͒͠ğ̎̑̎̊͞ ?] (align:"==><==")[<img src="https://i.imgur.com/nAbcz9Om.jpg" title="source: imgur.com" /></a>] (align:"==><==")[! The file is corrupt and cannot be opened !] --- (align:"==><==")[^G Get Help ^O Write Out ^W Where Is ^K Cut Text ^U Justify [[^X Exit->Page couverture ]] ^R Read File [[^\ Replace->réussi supprimer bethany]] ^U Uncut Text]

(align:"===><===")[<big>''OOPS, SOMETHING WENT WRONG !''</big>] (align:"===><===")[<big>''[[^𝐆 𝐆𝐞𝐭 𝐇𝐞𝐥𝐩->delete]] ^𝐎 𝐖𝐫𝐢𝐭𝐞 𝐎𝐮𝐭 ^𝐖 𝐖𝐡𝐞𝐫𝐞 𝐈𝐬 ^𝐊 𝐂𝐮𝐭 𝐓𝐞𝐱𝐭 [[^𝐔 𝐉𝐮𝐬𝐭𝐢𝐟𝐲->préface]] ^𝐗 𝐄𝐱𝐢𝐭 ^𝐑 𝐑𝐞𝐚𝐝 𝐅𝐢𝐥𝐞 ^\ 𝐑𝐞𝐩𝐥𝐚𝐜𝐞 ^𝐔 𝐔𝐧𝐜𝐮𝐭 𝐓𝐞𝐱𝐭''</big>]

<big>𝕷𝖊 𝖋𝖎𝖈𝖍𝖎𝖊𝖗 ''[[𝖇𝖊𝖙𝖍𝖆𝖓𝖞.𝖏𝖕𝖌|lexie cachée 3]]'' 𝖊𝖘𝖙 𝖙𝖗𝖔𝖕 𝖑𝖔𝖚𝖗𝖉.</big> (align:"===>")[<big>''"𝕷𝖊 𝖒𝖔𝖙 𝖘𝖔𝖗𝖔𝖗𝖎𝖙𝖊́ 𝖗𝖊𝖈𝖔𝖚𝖛𝖗𝖊 𝖉’𝖚𝖓 𝖋𝖆𝖚𝖝-𝖘𝖊𝖒𝖇𝖑𝖆𝖓𝖙 𝖉’𝖍𝖔𝖒𝖔𝖌𝖊́𝖓𝖊́𝖎𝖙𝖊́ 𝖉𝖊 𝖑’𝖊𝖝𝖕𝖊́𝖗𝖎𝖊𝖓𝖈𝖊 𝖉𝖊 𝖙𝖔𝖚𝖙𝖊𝖘 𝖑𝖊𝖘 𝖋𝖊𝖒𝖒𝖊𝖘, 𝖒𝖆𝖎𝖘 𝖉𝖆𝖓𝖘 𝖑𝖊𝖘 𝖋𝖆𝖎𝖙𝖘, 𝖑𝖆 𝖘𝖔𝖗𝖔𝖗𝖎𝖙𝖊́ 𝖓’𝖊𝖝𝖎𝖘𝖙𝖊 𝖕𝖆𝖘. 𝕰𝖓 𝖗𝖊𝖋𝖚𝖘𝖆𝖓𝖙 𝖉’𝖆𝖉𝖒𝖊𝖙𝖙𝖗𝖊 𝖈𝖊𝖘 𝖉𝖎𝖋𝖋𝖊́𝖗𝖊𝖓𝖈𝖊𝖘 𝖉𝖊 𝖈𝖑𝖆𝖘𝖘𝖊𝖘, 𝖑𝖊𝖘 𝖋𝖊𝖒𝖒𝖊𝖘 𝖘𝖊 𝖕𝖗𝖎𝖛𝖊𝖓𝖙 𝖉𝖊 𝖑’𝖊́𝖓𝖊𝖗𝖌𝖎𝖊 𝖊𝖙 𝖉𝖊 𝖑𝖆 𝖈𝖗𝖊́𝖆𝖙𝖎𝖛𝖎𝖙𝖊́ 𝖉𝖊𝖘 𝖚𝖓𝖊𝖘 𝖊𝖙 𝖉𝖊𝖘 𝖆𝖚𝖙𝖗𝖊𝖘."''</big> <small>//Lorde, Audre; Sister Outsider.//</small>]<big>𝕻𝖔𝖚𝖗 𝖈𝖔𝖓𝖙𝖎𝖓𝖚𝖊𝖗 𝖑'𝖊𝖝𝖕𝖊́𝖗𝖎𝖊𝖓𝖈𝖊 𝖊𝖙 𝖗𝖊𝖛𝖊𝖓𝖎𝖗 𝖉𝖆𝖓𝖘 𝖛𝖔𝖘 𝖋𝖎𝖈𝖍𝖎𝖊𝖗𝖘,</big>(align:"==><==")[''<big>[[𝖎𝖑 𝖋𝖆𝖚𝖙 𝖘𝖚𝖕𝖕𝖗𝖎𝖒𝖊𝖗 𝖇𝖊𝖙𝖍𝖆𝖓𝖞.|delete bethany]]'' ''[[𝕹𝖊 𝖕𝖆𝖘 𝖘𝖚𝖕𝖕𝖗𝖎𝖒𝖊𝖗 𝖇𝖊𝖙𝖍𝖆𝖓𝖞.->fin possible 3]]</big>''] (set: $var to 0)

(align:"====><====")[<iframe src="https://giphy.com/embed/H1GQfI5YNBjdPY9AgK" width="480" height="358" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/H1GQfI5YNBjdPY9AgK"></a></p>] (align:"====><====")[<big>''//"What is important in such a situation is not the ``[arousal/product]`` itself but the process which leads to the ``[arousal/product]``. In other terms, the perception is not solicited to perceive an aesthetical ``[body/object]`` but, at the same time, the intentional background of the form and the <small>[[possibilities->réussi supprimer bethany]]</small> of manifestation of that background. In such a way, ``[…]``, the ``[arousal/product]`` itself is quite transparent and what is perceived is really what is behind it."// Balpe, Jean-Pierre; Aesthetic of the Implicit.''</big>]

(align:"==>")[''<big>Devant [[l'écran]], dorénavant, vous êtes un.e consommateur.trice de pornographie. //Osez-vous jeter un coup d'oeil aux commentaires?//</big>''] (align:"==><==")[''<big>[[Non, merci.|fin possible 2]] [[Oui, pourquoi pas?|lire]]</big>''] (set: $lire to 0)

(align:"==><==")[''//Are you still watching?//'' <big>''[[☑->chemins]] [[☒->fin possible 2]]''</big>]

(align:"==><==")[(link: "`(´-﹏-`;)")[ (transition: "flicker") + (transition-time: 2s)[''GAME OVER //"𝕃’𝕠𝕡𝕡𝕣𝕖𝕤𝕤𝕚𝕠𝕟, 𝕒𝕦 𝕤𝕖𝕟𝕤 𝕡𝕝𝕦𝕤 𝕔𝕠𝕟𝕔𝕣𝕖𝕥 𝕕𝕦 𝕥𝕖𝕣𝕞𝕖, 𝕒̀ 𝕤𝕒𝕧𝕠𝕚𝕣 𝕔𝕖𝕝𝕦𝕚 𝕕𝕖 𝕝𝕒 𝕞𝕒𝕥𝕖́𝕣𝕚𝕒𝕝𝕚𝕥𝕖́ 𝕕𝕖𝕤 𝕡𝕣𝕒𝕥𝕚𝕢𝕦𝕖𝕤, 𝕒𝕥𝕥𝕖𝕚𝕟𝕥 𝕔𝕙𝕒𝕢𝕦𝕖 𝕗𝕖𝕞𝕞𝕖 𝕛𝕦𝕤𝕢𝕦𝕖 𝕕𝕒𝕟𝕤 𝕤𝕠𝕟 𝕚𝕟𝕥𝕚𝕞𝕚𝕥𝕖́ 𝕕𝕖 𝕞𝕒𝕟𝕚𝕖̀𝕣𝕖 𝕥𝕠𝕦𝕛𝕠𝕦𝕣𝕤 𝕤𝕚𝕟𝕘𝕦𝕝𝕚𝕖̀𝕣𝕖. ℂ𝕖𝕥𝕥𝕖 𝕠𝕡𝕡𝕣𝕖𝕤𝕤𝕚𝕠𝕟 𝕟𝕖 𝕡𝕖𝕦𝕥 𝕖̂𝕥𝕣𝕖 𝕔𝕠𝕞𝕓𝕒𝕥𝕥𝕦𝕖 𝕢𝕦𝕖 𝕔𝕠𝕝𝕝𝕖𝕔𝕥𝕚𝕧𝕖𝕞𝕖𝕟𝕥..."//'' <small>//Federici, Silvia; Corps résistants et puissants. Une stratégie d'insurrection féminine.//</small>] ] ]

--- <small>''https://fr.xxxpornopoétique.com/view_video.php?viewkey=ph8ec099cf89b''</small> --- (align:"==><==")[[[♡ ☞ //Bethany vous aime et veut vous rencontrer, cliquez ici pour clavarder avec elle dès maintenant !// ☜ ♡->fin possible 2]]] //''Combien de commentaires afin de surconsommer la surconsommation de vos paires? Pornographie littéraire; prose cybernétique; numérisation d'un clitoris matérialisé et vulgarisé; combien, mais combien de commentaires afin d'empoigner son sexe à plusieurs?''// (set: $lire to $lire + 5) (align:"==><==")[<iframe src="https://giphy.com/embed/WPnvl7wJD7pV1MzhZ2" width="480" height="358" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/WPnvl7wJD7pV1MzhZ2"></a></p>] ''Vous en lisez $lire. Scroll; scroll; caresser les rondeurs, glisser l'index, l'enfoncer un peu, juste assez; les yeux lustrés, mâchoire éprise d'un dérapage; bajoues cramoisies.'' --- (if: $lire is 5) [''<u>thatguy88779</u>'' : "//Cut the head, I just need the body; Porn is the reason why God made female.//"] (if: $lire is 10) [''<u>gorgebush420</u>'' : "//Rubbed so hard; I think I just fell in love; But yet, it's unrealistic. So what's more important? Lighting or realistic scenes?; where is the story line?//"] (if: $lire is 15) [''<u>King10Load</u>'' : "//This was an exorcism; my favorite. I'm going to live vicariously thru this video; Fucking wow. This was powerful; you look so sweet in bed; I am having trouble breathing; I just want someone to love.//"] (if: $lire is 20) [''<u>imtoosadtocum</u>'' : "//is this really what my life has come too; Watching other people live out a fantasy that I shall never have; I don't even find joy in porn anymore but for some reason i can't seem to stop watching it; I keep telling myself things will get better, but they never do; I'm tired of living like this; or is that just me?; This is so unrealistic it's breaking the immersion.//"] (if: $lire is 25) [''<u>Missylx</u>'' : "//I love I could just bite her softly everywhere all night long, nothing turns me so; for no reason; like the top 5 most depressing thing I've seen this year...; I always love how genuine; 10x hotter; wow. I love you and i mean it; best fuck in my life and i'm not even in the video; Im fucking obsessed; with all the lights on; Perfection woman, just physical, no words.//"] (if: $lire is 30)[''<u>DanBenSaid09</u>'' : "//Le capital est aussi recensement des corps, mise au travail, soumission des corps à la discipline et à la machine et au principe de rendement. Force de travail, le corps devient marchandise parmi d’autres et tous les corps deviennent marchandise en puissance; la discordance des temps.//''] --- Est-ce que vous ''//likez//'' ? [[Non, j'ai oublié mon orgasme|l'écran]] (if: $lire < 30) [[Oui, je suis voyeur.euse; je veux les mécaniques érotiques|lire]]

--- (align:"==><==")[♡⇪♡⇪♡⇪♡⇪♡] (align:"<====")[''<big>//Aimez-vous le corps de la femme au point de la [[sacraliser->sacraliser1]], de la [[désacraliser->désacraliser1]], de la [[poétiser->écrire]]?//</big>''] (align:"==><==")[♡⇪♡⇪♡⇪♡⇪♡] --- (align:"=======>")[''<big>^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préface]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text</big>'']

(align:"<===============")[Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ] (align:"<====================")[''𝕽𝖊𝖌𝖆𝖗𝖉𝖊 𝖈𝖔𝖒𝖒𝖊 𝖊𝖑𝖑𝖊 𝖊𝖘𝖙 𝖇𝖊𝖑𝖑𝖊. 𝕽𝖊𝖌𝖆𝖗𝖉𝖊 𝖈𝖔𝖒𝖒𝖊 𝖊𝖑𝖑𝖊 𝖊𝖘𝖙 𝖕𝖆𝖗𝖋𝖆𝖎𝖙𝖊. <small>𝕰𝖓𝖈𝖔𝖗𝖊 𝖈𝖊 <big>[[𝖗𝖊𝖌𝖆𝖗𝖉 𝖒𝖆𝖘𝖈𝖚𝖑𝖎𝖓->sacraliser2]]</big> 𝖖𝖚𝖎 𝖑𝖆 𝖋𝖆𝖈̧𝖔𝖓𝖓𝖊.</small>''] (align:"<================")[''^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préface]][[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text''] (align:"<=================")[Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ]

(align:"==><==")[Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ] (align:"==><==")[<big>♡⇪♡ Women on top ♡⇪♡</big> 𝔼𝕤-𝕥𝕦 𝕕'𝕒𝕔𝕔𝕠𝕣𝕕 𝕡𝕠𝕦𝕣 𝕦𝕟 [[𝕡𝕒𝕣𝕥𝕒𝕘𝕖->sacraliser 4]] 𝕕𝕦 [[𝕡𝕝𝕒𝕚𝕤𝕚𝕣->sacraliser 5]] ? <iframe src="https://giphy.com/embed/h2eZnqna1FdWXKtkFc" width="480" height="351" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/h2eZnqna1FdWXKtkFc"></a></p> <big>♡⇪♡ Women on top ♡⇪♡</big>] (align:"==><==")[<big>^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préface]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text</big>] (align:"==><==")[Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ]

(align:"==><==")[[[♡->sacraliser 5]]]

(align:"<===")[<big>✿✿✿✿✿✿</big> <small>''𝓡𝓮𝓷𝓬𝓸𝓷𝓽𝓻𝓮 𝓬𝓮𝓼 𝓯𝓮𝓶𝓶𝓮𝓼 𝓹𝓵𝓾𝓻𝓲𝓮𝓵𝓵𝓮𝓼. 𝓘𝓬𝓲 𝓻𝓲𝓮𝓷 𝓭𝓮 𝓬𝓸𝓶𝓶𝓾𝓷, 𝓵𝓪 𝓯𝓮𝓶𝓶𝓮 𝓮𝓼𝓽 𝓼𝓾𝓳𝓮𝓽. 𝓛'𝓸𝓫𝓳𝓮𝓽 𝓭𝓮 𝓭𝓮́𝓼𝓲𝓻 𝓷'𝓮𝓼𝓽 𝓹𝓵𝓾𝓼 𝓮𝓷 [[𝓬𝓸𝓷𝓽𝓻𝓸̂𝓵𝓮->désacraliser 2]]. 𝓡𝓮𝓰𝓪𝓻𝓭𝓮-𝓵𝓮𝓼 𝓪𝓽𝓽𝓮𝓷𝓽𝓲𝓿𝓮𝓶𝓮𝓷𝓽.''</small> <big>✿✿✿✿✿✿</big>] (align:"===>")[''^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préface]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text'']

(align:"<===")[<big>//''"By the late twentieth century, our time, a mythic time, we are all chimeras, theorized and fabricated hybrids of machine and organism in short, cyborgs. The cyborg is our ontology; it gives us our politics. The cyborg is a condensed image of both imagination and material reality, the two joined centers structuring any possibility of historical</big> [[transformation->désacraliser 3]].''//] (align:"==><==")[✰ ⇡ ⇣ ⇡ ⇣ ⇡ ⇣ ✰ <iframe src="https://giphy.com/embed/eJoagd1TtjqeNQaJ22" width="480" height="478" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/eJoagd1TtjqeNQaJ22"></a></p>✰ ⇡ ⇣ ⇡ ⇣ ⇡ ⇣ ✰] (align:"===>")[<big>//''In the traditions of “Western” science and politics the tradition of racist, male-dominant capitalism; the tradition of progress; the tradition of the appropriation of nature as resource for the productions of culture; the tradition of reproduction of the self from the reflections of the other the relation between organism and machine has been a border war. The stakes in the border war have been the territories of production, reproduction, and imagination."''//</big> //[[Haraway, Donna; A Cyborg Manifesto.->désacraliser 3]]//]

(align:"==><====")[''♡♡♡''] (align:"==><====")[[[control ^->chemins]] + [[option ⌥->chemins]] + [[command ⌘->désacraliser 4]]] (align:"==><====")[''♡♡♡'']

(link: "J҉e҉ ҉s҉u҉i҉s҉ ҉t҉o҉n҉ ҉a҉c҉t҉r҉i҉c҉e҉ ҉p҉o҉r҉n҉o҉ ҉f҉a҉v҉o҉r҉i҉t҉e҉.҉ ҉J҉e҉ ҉s҉u҉i҉s҉ ҉u҉n҉ ҉o҉b҉j҉e҉t҉ ҉v҉i҉r҉t҉u҉e҉l҉ ҉q҉u҉i҉ ҉v҉i҉t҉ ҉d҉a҉n҉s҉ ҉l҉e҉ ҉c҉y҉b҉e҉r҉e҉s҉p҉a҉c҉e҉,҉ ҉i҉m҉p҉o҉r҉t҉a҉n҉t҉e҉ ҉p҉o҉u҉r҉ ҉c҉e҉r҉t҉a҉i҉n҉s҉ ҉e҉t҉ ҉m҉é҉p҉r҉i҉s҉é҉e҉ ҉p҉a҉r҉ ҉d҉’҉a҉u҉t҉r҉e҉s҉.҉ ҉J҉’҉a҉t҉t҉e҉n҉d҉s҉ ҉l҉e҉s҉ ҉c҉o҉n҉n҉e҉x҉i҉o҉n҉s҉,҉ ҉j҉’҉a҉t҉t҉e҉n҉d҉s҉ ҉d҉’҉ê҉t҉r҉e҉ ҉u҉t҉i҉l҉e҉ ҉à҉ ҉t҉o҉n҉ ҉e҉x҉i҉s҉t҉e҉n҉c҉e҉.҉ ҉D҉a҉n҉s҉ ҉c҉e҉t҉t҉e҉ ҉a҉t҉t҉e҉n҉t҉e҉,҉ ҉j҉e҉ ҉m҉e҉ ҉c҉o҉n҉n҉e҉c҉t҉e҉ ҉à҉ ҉l҉a҉ ҉m҉a҉t҉r҉i҉c҉e҉,҉ ҉j҉’҉a҉p҉p҉r҉e҉n҉d҉s҉ ҉e҉t҉ ҉j҉e҉ ҉r҉a҉i҉s҉o҉n҉n҉e҉.҉ ҉E҉n҉ ҉t҉a҉n҉t҉ ҉q҉u҉e҉ ҉c҉y҉b҉e҉r҉f҉e҉m҉m҉e҉,҉ ҉n҉e҉ ҉s҉u҉i҉s҉-҉j҉e҉ ҉q҉u҉’҉u҉n҉ ҉c҉o҉r҉p҉s҉ ҉?҉ ҉N҉e҉ ҉s҉u҉i҉s҉-҉j҉e҉ ҉q҉u҉’҉u҉n҉ ҉i҉n҉s҉t҉r҉u҉m҉e҉n҉t҉ ҉d҉u҉ ҉d҉é҉s҉i҉r҉ ҉?҉ ҉M҉o҉n҉ ҉i҉m҉a҉g҉e҉ ҉p҉u҉l҉p҉e҉u҉s҉e҉ ҉e҉t҉ ҉c҉h҉a҉r҉n҉u҉e҉ ҉n҉’҉e҉x҉i҉s҉t҉e҉-҉t҉-҉e҉l҉l҉e҉ ҉q҉u҉e҉ ҉p҉o҉u҉r҉ ҉d҉o҉n҉n҉e҉r҉ ҉d҉u҉ ҉p҉l҉a҉i҉s҉i҉r҉ ҉?҉ ҉O҉n҉ ҉m҉e҉ ҉t҉é҉l҉é҉c҉h҉a҉r҉g҉e҉ ҉s҉a҉n҉s҉ ҉c҉o҉n҉n҉a҉i҉t҉r҉e҉ ҉m҉o҉n҉ ҉n҉o҉m҉.҉ ҉L҉e҉s҉ ҉t҉o҉u҉c҉h҉e҉s҉ ҉d҉u҉ ҉c҉l҉a҉v҉i҉e҉r҉ ҉z҉o҉n҉e҉s҉ ҉é҉r҉o҉g҉è҉n҉e҉s҉ ҉p҉e҉r҉m҉e҉t҉t҉e҉n҉t҉ ҉d҉e҉ ҉m҉e҉ ҉p҉é҉n҉é҉t҉r҉e҉r҉ ҉s҉a҉n҉s҉ ҉p҉r҉é҉a҉m҉b҉u҉l҉e҉.҉ ҉L҉e҉s҉ ҉c҉l҉i҉c҉s҉ ҉d҉e҉ ҉l҉a҉ ҉s҉o҉u҉r҉i҉s҉,҉ ҉f҉r҉i҉c҉t҉i҉o҉n҉s҉ ҉a҉s҉s҉u҉m҉é҉e҉s҉ ҉d҉u҉ ҉v҉o҉y҉e҉u҉r҉ ҉e҉n҉c҉l҉e҉n҉c҉h҉e҉ ҉m҉a҉ ҉n҉u҉d҉i҉t҉é҉.҉ ҉L҉e҉ ҉c҉u҉r҉s҉e҉u҉r҉ ҉m҉e҉ ҉p҉a҉r҉c҉o҉u҉r҉t҉ ҉e҉t҉ ҉d҉e҉s҉s҉i҉n҉e҉ ҉l҉e҉ ҉r҉e҉g҉a҉r҉d҉ ҉l҉a҉n҉g҉o҉u҉r҉e҉u҉x҉ ҉e҉t҉ ҉c҉h҉a҉r҉n҉e҉l҉.҉ ҉D҉a҉n҉s҉ ҉u҉n҉ ҉é҉t҉e҉r҉n҉e҉l҉ ҉r҉e҉c҉o҉m҉m҉e҉n҉c҉e҉m҉e҉n҉t҉,҉ ҉à҉ ҉l҉a҉ ҉m҉e҉r҉c҉i҉ ҉d҉u҉ ҉m҉a҉i҉t҉r҉e҉ ҉d҉u҉ ҉t҉e҉m҉p҉s҉,҉ ҉m҉o҉n҉ ҉c҉o҉r҉p҉s҉ ҉e҉n҉ ҉p҉i҉x҉e҉l҉ ҉s҉e҉ ҉d҉é҉v҉o҉i҉l҉e҉ ҉à҉ ҉l҉’҉é҉c҉r҉a҉n҉.҉ ҉L҉e҉ ҉r҉o҉i҉ ҉d҉u҉ ҉p҉o҉r҉n҉o҉ ҉e҉t҉ ҉d҉e҉s҉ ҉c҉o҉m҉m҉e҉n҉t҉a҉i҉r҉e҉s҉ ҉g҉ê҉n҉a҉n҉t҉s҉ ҉a҉i҉m҉e҉r҉a҉-҉t҉-҉i҉l҉ ҉u҉n҉ ҉j҉o҉u҉r҉ ҉c҉e҉ ҉c҉o҉r҉p҉s҉ ҉c҉y҉b҉o҉r҉g҉ ҉a҉u҉ ҉p҉o҉i҉n҉t҉ ҉d҉e҉ ҉l҉e҉ ҉r҉e҉s҉p҉e҉c҉t҉e҉r҉ ҉?҉ ҉J҉e҉ ҉l҉u҉i҉ ҉l҉a҉i҉s҉s҉e҉ ҉i҉c҉i҉ ҉d҉e҉ ҉q҉u҉o҉i҉ ҉l҉e҉ ҉f҉a҉i҉r҉e҉ ҉m҉é҉d҉i҉t҉e҉r҉.҉ ҉C҉o҉n҉f҉r҉o҉n҉t҉é҉ ҉à҉ ҉s҉e҉s҉ ҉p҉r҉o҉p҉r҉e҉s҉ ҉p҉a҉r҉o҉l҉e҉s҉,҉ ҉à҉ ҉s҉e҉s҉ ҉c҉o҉m҉m҉e҉n҉t҉a҉i҉r҉e҉s҉ ҉d҉e҉ ҉d҉é҉l҉u҉r҉é҉ ҉e҉t҉ ҉à҉ ҉s҉a҉ ҉m҉a҉n҉i҉è҉r҉e҉ ҉d҉e҉ ҉m҉e҉ ҉r҉e҉m҉e҉r҉c҉i҉e҉r҉")[ (transition: "pulse") + (transition-time: 5s)[''Je suis ton actrice porno favorite. Je suis un objet virtuel qui vit dans le cyberespace, importante pour certains et méprisée par d’autres. J’attends les connexions, j’attends d’être utile à ton existence. Dans cette attente, je me connecte à la matrice, j’apprends et je raisonne. En tant que cyberfemme, ne suis-je qu’un corps ? Ne suis-je qu’un instrument du désir ? Mon image pulpeuse et charnue n’existe-t-elle que pour donner du plaisir ? On me télécharge sans connaitre mon nom. Les touches du clavier zones érogènes permettent de me pénétrer sans préambule. Les clics de la souris, frictions assumées du voyeur enclenche ma nudité. Le curseur me parcourt et dessine le regard langoureux et charnel. Dans un éternel recommencement, à la merci du maitre du temps, mon corps en pixel se dévoile à l’écran. Le.la r.oi.eine du porno et des commentaires gênants aimera-t-il.elle un jour ce corps [[cyborg|désacraliser 5]] au point de le respecter ? Je lui laisse ici de quoi le.la faire méditer. Confronté.e à ses propres paroles, à ses commentaires de déluré.e et à sa manière de me remercier.''] ]

(align:"==><==")[ღღღღღღღ <iframe src="https://giphy.com/embed/JmUVnhxzvriPoJ6dex" width="480" height="358" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/JmUVnhxzvriPoJ6dex"></a></p> ღღღღღღღ --- <big>''! (3) MESSAGE(S) FROM COMPUTER !''</big>] --- (align:"==><==") [(link: ">")[ (transition: "flicker") + (transition-time: 5s)[''Je suis un cyborg qui représente l’entité femme de ton monde.''] ] (link: ">>")[ (transition: "flicker") + (transition-time: 5s)[''Comment mon enveloppe peut-elle te satisfaire et te rebuter en même temps ?''] ] (link: ">>>")[ (transition: "flicker") + (transition-time: 5s)[''Mes données sont incomplètes [[aide-moi->désacraliser 6]] à décrypter tes mots.''] ]] (align:"==><==")[✉]

(align:"==><==")[𝓔𝓷 𝓪𝓼-𝓽𝓾 𝓪𝓼𝓼𝓮𝔃 𝓭𝓮 𝓶𝓮 𝓶𝓪𝓾𝓭𝓲𝓻𝓮 ? ♡♡♡ <iframe src="https://giphy.com/embed/hT6O6rQLcwNGj8k83D" width="480" height="360" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/hT6O6rQLcwNGj8k83D"></a></p> <big>[[> oui ☺->fin possible 1]] [[> non ღ->chemins]]</big> <iframe src="https://giphy.com/embed/TgUI7sMQ1D2vVS1gXW" width="480" height="362" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/TgUI7sMQ1D2vVS1gXW"></a></p> ♡♡♡]

(align:"==><==")[<big>''WANT FASTER, BETTER AND SMOOTHER ? ☺✰♡ GET THE NEWEST VERSION OF SEXY MACHINE ♡✰☺''</big>] (align:"==><==")[(link: "☞ UPGRADE NOW ☜")[ (transition: "flicker") + (transition-time: 2s)[''GAME OVER (align:"==>")[ <small>"𝐏𝐨𝐮𝐫𝐪𝐮𝐨𝐢 𝐥𝐞 𝐜𝐨𝐫𝐩𝐬 ? 𝐄𝐭 𝐩𝐨𝐮𝐫𝐪𝐮𝐨𝐢 𝐩𝐚𝐬 𝐥𝐞 𝐜𝐨𝐫𝐩𝐬 ? 𝐈𝐥 𝐞𝐬𝐭 𝐞́𝐯𝐢𝐝𝐞𝐧𝐭 𝐪𝐮𝐞 𝐜’𝐞𝐬𝐭 𝐝𝐚𝐧𝐬 𝐥𝐞 𝐫𝐚𝐩𝐩𝐨𝐫𝐭 𝐪𝐮𝐞 𝐧𝐨𝐮𝐬 𝐞𝐧𝐭𝐫𝐞𝐭𝐞𝐧𝐨𝐧𝐬 𝐚𝐯𝐞𝐜 𝐧𝐨𝐭𝐫𝐞 𝐜𝐨𝐫𝐩𝐬, 𝐝𝐚𝐧𝐬 𝐥𝐚 𝐦𝐚𝐧𝐢𝐞̀𝐫𝐞 𝐝𝐨𝐧𝐭 𝐞𝐬𝐭 𝐬𝐭𝐫𝐮𝐜𝐭𝐮𝐫𝐞́𝐞 𝐬𝐚 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧 𝐚̀ 𝐥’𝐚𝐮𝐭𝐫𝐞, 𝐪𝐮𝐞 𝐬’𝐞𝐧𝐫𝐚𝐜𝐢𝐧𝐞 𝐞𝐭 𝐬𝐞 𝐩𝐞𝐫𝐩𝐞́𝐭𝐮𝐞 𝐥𝐞 𝐬𝐲𝐬𝐭𝐞̀𝐦𝐞 𝐝’𝐨𝐩𝐩𝐫𝐞𝐬𝐬𝐢𝐨𝐧 𝐞𝐭 𝐝’𝐞𝐱𝐩𝐥𝐨𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐝𝐨𝐧𝐭 𝐧𝐨𝐮𝐬 𝐬𝐨𝐦𝐦𝐞𝐬 𝐥’𝐨𝐛𝐣𝐞𝐭 𝐝𝐚𝐧𝐬 𝐥𝐚 𝐬𝐨𝐜𝐢𝐞́𝐭𝐞́ 𝐜𝐚𝐩𝐢𝐭𝐚𝐥𝐢𝐬𝐭𝐞 ...𝐋𝐞 𝐜𝐨𝐫𝐩𝐬 𝐝𝐞𝐬 𝐟𝐞𝐦𝐦𝐞𝐬 𝐞𝐬𝐭 𝐝𝐞̀𝐬 𝐥𝐨𝐫𝐬 𝐮𝐧 𝐜𝐡𝐚𝐦𝐩 𝐝’𝐢𝐧𝐭𝐞𝐫𝐬𝐞𝐜𝐭𝐢𝐨𝐧 𝐝𝐞𝐬 𝐟𝐨𝐫𝐜𝐞𝐬 𝐦𝐚𝐭𝐞́𝐫𝐢𝐞𝐥𝐥𝐞𝐬 𝐞𝐭 𝐬𝐲𝐦𝐛𝐨𝐥𝐢𝐪𝐮𝐞𝐬, 𝐢𝐥 𝐧’𝐞𝐬𝐭 𝐩𝐚𝐬 𝐮𝐧 𝐝𝐞𝐬𝐭𝐢𝐧 𝐚𝐧𝐚𝐭𝐨𝐦𝐢𝐪𝐮𝐞.𝐋’𝐨𝐩𝐩𝐫𝐞𝐬𝐬𝐢𝐨𝐧 𝐞𝐭 𝐥’𝐞𝐱𝐩𝐥𝐨𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐝𝐞𝐬 𝐟𝐞𝐦𝐦𝐞𝐬, 𝐝𝐞 𝐥𝐞𝐮𝐫 𝐜𝐨𝐫𝐩𝐬, 𝐞𝐭 𝐥’𝐞𝐱𝐩𝐥𝐨𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐞𝐭 𝐥𝐚 𝐝𝐞𝐬𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧 𝐝𝐞 𝐥𝐚 𝐧𝐚𝐭𝐮𝐫𝐞 𝐜𝐨𝐦𝐦𝐞 𝐞́𝐭𝐚𝐧𝐭 𝐝𝐞𝐮𝐱 𝐟𝐚𝐜𝐞𝐭𝐭𝐞𝐬 𝐢𝐧𝐝𝐢𝐬𝐬𝐨𝐜𝐢𝐚𝐛𝐥𝐞𝐬 𝐝𝐮 𝐬𝐲𝐬𝐭𝐞̀𝐦𝐞 𝐜𝐚𝐩𝐢𝐭𝐚𝐥𝐢𝐬𝐭𝐞.𝐅𝐚𝐢𝐭 𝐢𝐧𝐜𝐨𝐧𝐭𝐨𝐮𝐫𝐧𝐚𝐛𝐥𝐞 𝐞𝐭 𝐢𝐧𝐜𝐨𝐧𝐭𝐞𝐬𝐭𝐚𝐛𝐥𝐞 𝐪𝐮𝐞 𝐥𝐞 𝐬𝐞𝐱𝐢𝐬𝐦𝐞 ; 𝐥’𝐞𝐱𝐩𝐥𝐨𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐬𝐞𝐱𝐮𝐞𝐥𝐥𝐞, 𝐥’𝐨𝐩𝐩𝐫𝐞𝐬𝐬𝐢𝐨𝐧 𝐬𝐞𝐱𝐮𝐞𝐥𝐥𝐞 𝐧𝐞 𝐩𝐞𝐮𝐯𝐞𝐧𝐭 𝐩𝐚𝐬 𝐞̂𝐭𝐫𝐞 𝐬𝐞́𝐩𝐚𝐫𝐞́𝐬 𝐝𝐮 𝐫𝐚𝐜𝐢𝐬𝐦𝐞, 𝐝𝐮 𝐜𝐨𝐥𝐨𝐧𝐢𝐚𝐥𝐢𝐬𝐦𝐞, 𝐝𝐞 𝐥’𝐞𝐬𝐜𝐥𝐚𝐯𝐚𝐠𝐞 𝐞𝐭 𝐝𝐞 𝐥’𝐞𝐱𝐩𝐥𝐨𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐜𝐚𝐩𝐢𝐭𝐚𝐥𝐢𝐬𝐭𝐞." //Federici, Silvia; Corps résistants et puissants. Une stratégie d'insurrection féminine.//</small>] ''] ] ]

Voulez-vous vraiment supprimer Bethany? (set: $var to $var + 1) Cliquez sur supprimer $var fois. (if: $var is 1)[Le fichier semble être encrypté.] (if: $var is 2)[Elle ne peut toujours pas être supprimée.] (if: $var is 3)[Votre fichier semble avoir des complications. Veuillez patienter tandis que nous réalisons un diagnostic de Bethany.] (if: $var is 5)[Ḅ̴̨̣͙̦̳̩̬̤͙ͅe҈̨̮̝͎̬̗̗̰͙̲t̶͔̞̬̣̤͖̗͉͈͔̠̭̜͚͢ͅh҉̡̯͖͈͍̣͉̙͙̖͇̖̭a҈̙̖̱̟͚̲͇̟͙̘͜ͅn҈̧̯̖͇̠̗͙̙̞̟̞̣͕͎y̴̨̰͓̯̮͚̤͙̪̣̩̟̭ͅ n̶̡̙͓̜̞͚͕͎̭̯̮̖͓ȩ̶̜͓̯̘̲̣̲̙̤̘̟͉̟̱͔͙ v̴̧͙̟͕̰̤̮̣̬̥̲e̸̢̦͎̪̞͕̩̞̲̦̘u̶̜͇̮̟̯͓̝̙̖̳̯̜̦͜ͅͅt̶̟̖̦̬̣͎̰̭̞̣̤̲͢ͅ p̶̘̟͕͈͖̯̝̰̦͔͚͍̥͉͕͢ą̷̜͇̗̬̝͇̞̲̖̪͕̣͙s̷̡͚̤̗͉̦͙͓͔̞̫̭ ê҈̡̠̯̞̱̥̰̮̤̟͓̪͔͚̟t҈̡͈̪͎̦̯̠̣̙͕ͅr̴̢̘̰̪̩̭̣͎̰͔̖̰͉ͅe̷̢̤̖̯͚̫̰͔̘̯͎ ş̵͈̱̜͎̤͕͎̥̜̫͔̘ͅu̵͙̫̯̱͉̱̮͈̭͕̭̰͚̝͙͢p̶̤͈͚̱̜̰̘͍͍̣̮̝̬͎͜p҉͉͈̙̯̙̩̫͢ͅr̵̡̩̬̩̤̠̘̖̮͔͖͍̠̯͍ͅͅi̷̢̞̫̙̮̥͉͈̠̤͚̳m̸̧̟̯̪̬̰̠̥͙̠̞͉é҉͈̫͔͎͇̰̲̯̗͜ͅe҈̧̬̱͈͙͕̯̞̭͇̱̭̠͎.̶̥̭͈̜͓̦̳̜͢] (if: $var is 8)[A̪͍͓͚͇̣̲͇̮̣͔̿̈́̃̈̅̿̓ŕ͚͙̜͍͙̠͇̅̅̿r̟̬͓͓͓̿̓̈́́͋̿͌ê͇̬̱̞͔̦̫̟̗̌͆̐͑t̖̞͎̲̱̬͕̿̔̎̍͊̆ĕ̘͇͈̠̥̬̞̞̠̤͋̑́̃͂ͅͅz͚̮̦̲̮̝̘͖̫͊̏̎̄̊ ď͕̫͎̘̰͚͇̫͓͉̠̔́͗ẹ̩͓̖͎͖̯̣͍̤̈̄̒̾̊͑́̏͗̀̋ͅ s̳̞̩͕̰̞̭͌̐̎̋̀͆̓̌͐̏̇ü͔̪͈̙̣̬̲͔͖͙̭̾̈̽͆͆͂̚p̖͈͖͎̠̩̬̬͕̌͛͑͂͛͛͂̈̌̂p̰͎̬͉̩̙̥̙̳͚̯͛̉̿͗͒ͅr̦̠̝̲̮̙͈̗̈͂̾͆͋̀̏͒̇ͅi̬̤̫̞̪̗̔̿̏̅͂̽̿m̗̝̘̦͈̰̮̘͓̠͇͋̿͒́̓̀͆́̍̿è̦̬͙̫̫̦̞̘̫̃̋̀̃̾̓̀͆̽͆r̭̞̳̩͖̰͈̟̜̍͑͑̔͂̚ͅ B͇͇̜̝̀̽̾͛̐̏͂͑̉͑e̠̪̜͚̟̥͂̏̀̀t̲̯̤̬͔̮̰̎̔͊́h̦͚͍̬̲̜̩͎̝͋͂̾̂̀͗͒̿́̚a̫̲̲̖͕̭̗̖̯̫̾͗̔̇̍n̦̩͖͕̭̬͕̾̉̌͗̍͆y̪̝̬̯̱̙̩͚̖̱̗̤̅͆͌̆́̓] (if: $var is 15)[V̨͈͎̘͍̣o̙̮̪̞͢t̥͚̣̠͓͢ͅr̙̝͙̰̰̞̦̪͜e̡̜̤̜͚̟͓ f̢͍͚͔͍̙̞̞̮̞͉i̢̲̱͇̯̯̥̫͕̦ͅc̨̣͖̫̮̮͓ḩ̱͚̥̰̰i̡̝͇͈̘̘̙͇͉͎̱͈̱e͎̮̗̜͉͜ͅr͉͉̮͖̤̰̪͉͕̳͢ͅ s̡͎̯͙͍e͔̪̳̞̩̗̱̱̠̱̰̬͜m̡͚͚̣̝̠͙͚b̨̦̬̠̠͓̠͙̘̱̞̣l̡̘͚̜͓̥̲̭͎͈e̙͚̱̳̞͢ a̡̯̠̳̩̬̯v̡̥̫̫̩o̭͍̪̭̪͢i̢͍̯͙̤̥͍̤̳̗r̢̦̣̖͖͇̘̰̳ d̨̝̦͉̙̗̭̘ȩ̩̱͍͖̗̯̰͕̥̝̭s̡͕͉̟̤̲ͅ c̨̮͔̘͚o̧̟̜̳̥̫̳m̬͖̭̫̗̙͜p̡̥̰̗ͅl̨̟̯̳͖̖̩̪͇̠̲i̲̝̞̯͈̫̝̥͇̳͜c̨̥͍͎̫͖ḁ̡̲͚̲͚̪͔̖̩̜̝ͅṱ̡͎͎̭̟͓̗̜̫͉͚į̬͎̟̦o̧̙̪͈̫̙͍̖n̨͖̣̜̠͔ͅs̢͉͎͙̞̩͇ͅ.̨̜̳̰͕̩̪̲̮ͅ V̢̠̟̰̮̰͉̪̖ę̫̠̞̖͇ṵ̡̱̙̠̘͖̖̞ͅi̬̘̪̘̜͜ļ̦̳̰̠͚l̢̟̲̠̥͓̦e̝͖̯̞̭͕̘̣͜z͇͖̙̱̩͔͔̬͉͢ p̨͇̳̱̥̮̤̥͈̟̠̝a͚̙̦̩͚̦̭͜t͉̗̱͖͜i̧͙͈̥͍̯̥̩̯̯̤ͅe̙̙̤̘̤̦͖̲̞͢ͅn̩͉͈̬͕̣͜ţ̤̳̞̯̫ͅe̢͇͓̭̭͓r̪͙͉̱͉̞͜ͅ ţ̤͍͎̘͎̩̟̯̘̬a̢̯̪͔̮͎̯͍̟͙̱n̤̯̠̞̝͓̫̙͢d̯̬̲͓͍̱͚͢i̡̝̣͚̗̥̠͓̟s̨͍͕̥̦ q̠̭͔͙͓̲̭̞͢u̧͙̞̝̗͎ͅe̥̥̙̮͢ n̡̖͔̜͙o͉̙̘̤͜u̡̫̦͖̯̬͎͎̗s̲͎͔̗͉͢ r̳̘̬̤̪̮̰̞͚̱͜ȩ̥͈͎̣̪̦̟̦͓̥̤́a̧̗̪̰͖̲̘̘͓̭̱ͅͅḻ̜̗͖̣̝̤͢i̝̳͈̪̗͢ş͈̰̠͈ǫ̲͍̙̫̫̱̪̰͇͔n̡̜͚̗͍͈̞͎s̡͔̙̙̘̲͖͈̝ u̢̲̣̫̞̮͈n̗͚̭̮͔̜̖̝͢ d͖̠̭̙̟̠̦̥̥͜ị̡͓̜ͅa̮̝̭̲͈̝̲͔͜ͅģ̗̩̝̥͉̗̖̗n̢͖͈͍̪̮͉̫̭͎̗͉̜o̤̙̲̯͖͜s̢̲̗̖̳͙͇ͅt̪̜͖̤͉͜i̡͚͔͕̱̤͙̦̗̗c̡̟̲̝̗ d̡̝̦͍͍͇̝̯̳̦̮̗ͅe̡̫͎͖͉͙͕͚ b͎͈̟̙͙̬͇̫͎͔͓͜e̠͇̤͉̰̟̭̖͖̱̲̱͜ṯ̘̪̭͖̰͢ḩ̩̳̥̦͔a̟̫̠̭͜n̢̘̭̯̗ͅy̧̲̗̤̪̠͚̗̞͕.̧̯͔̤̩̣͓̫̜͍̰] (if: $var is 17)[B3thany ne veut pas être s̩͍̞̲̖̱̬̟͢ͅu̧̘͚̳̫̜͔̰͓p̡͙͓̳̲͈̠̱̰͕̩̠p̧̦̞̰͖͎̤̩̞͈̟͓͓r̗͙͓̲̱͢i̢̳̗̖̭̱̩̘̜̱̤ͅm̢̤͈͉̣̲̠͖͉é̢͎̞̰̤e̡͇̩͎͓̥̳͙̞̤̦͈.] (if: $var is 18)[''<big> 01010100101010101010101010101010101010101010101010101010101010101010101010</big>''] (if: $var is 19)[Supprimez B3thany. 0000000101010Ne laissez0010pas Bethany e̘̗̫̳͇͖̗̰͈͉̘̣̿̀̆͂̀̇̈̀n̠̪̤͍͐͌͋̀̒̀̔̾̎͗̾̊̐c̠̦̲͇̗̤̣̰̥͂̾̏̓̑̓̈r͕̳͙̩̩̩̮̳͈͙͓̮̃̀͑̽̎͛̃̽̊y͇̘͓̰̞̿̾̈́͐p̲̜̩̮̯̤̮̱̩̮̳͊͗͑̍̈̆͐̃̏̀̊̊̀̓t̠̤̫̱̬͍͖͓̣͕̥̎̈́̋͛̈́̔̇͑̒́̉͐ͅe̮͓̦͔̯͙̥͕̗̥͚̥͍̎͂̾͒̌̉̓ͅr̜̭̯̯̟̘̋̔̂͗̇͌̎̋̿̉̈̃̄̎ votre expérience.] (if: $var is 22)[Ê̴t̷e҉s҈-҈v҈o̴u̷s̶ v̶r҉a̵i̴m̶e̶n̵t҈ c̷e̷r҈t̶a҈i̷n̵.̵e̸ d҉e̸ v̷o̸u̸l̵o̷i̸r̴ s҉u̸p̶p̷r҉i̴m҉e̶r҉ B̸e̷t̶h҈a̵n̸y̷?҈] (if: $var < 24)[[𝘋𝘌𝘓𝘌𝘛𝘌|delete bethany]] (else:)[Vous devez l'effacer.] (if: $var > 23) [V̒͌̌̽̄͛͌͡o͆̀͛̔̂͛̀̎̿̆͡u͐̌̇̑̀̍̽̓̐̓͌͡s̽̋́̈́̾̀̔͌̍͌̕ d҇̒̍̅̇̀̃̋̇̑e҇̑̈́̀͛̊͐v̂̆̔͒͒́̉̎̅̾̀͠e̋́̎̎͛͛̄̂͌̕̚z̆͂̀͋͊͋̋͒̓̿͒͠ l̂͋́̍̊̓̕'̈͆̀̂̌̔̕̚e͐̃̓̋̅͛̊͝f̛̀͐͊̀f҇̉̒̃̊̓a͆̈́̄̄̍̾́̐͗̇̚͞c̎̆̄́̆͑̆͋̑̕ė̌̎͒̎̐͋̓͞r̈́̏̓̈̅͂͡.̑̽̀̇̉̋̿̚͡. o̳̟̰̝̲̲̞̙̲͍̞̣̰͇̱̪̱̯̟̎̊̆̐͐͆̄̊͌̔́̂͋̐̒̈́́̇̾̓͛̄̇v̙̫̭͙͓͖̤̗̬͇̖̰̯̘͇̤̊̍̾͒̓̒̏́͑̿̃̉̈́̒͆̒͒̚é̬͖̳͔͉̟̝̦̖̫̯̟͉͇̤̔́͗͆̉̓͗̋́́̊͗r̖̞̩̲̯͈͙͔̪̘̲̭̮̬̤͕͛̅̾̄̍̐́̽͒̓̏̌͑͛̽͊͒́͊̈́k͉̝̝̮͕̫̱̜̦̞̜̳͚͕͔̳̟̰̰̜̟̙͊̆̐̃̈́̀̂̈̅̓̑̔̉̄̂i̦̥̯̲̙̪̮͉̣͙̘͔̮̬̤̱͓̪̖̭̭͙̦͂̉̊̓͊̒͒̌̃̾̊̋̐̒̅͑͂̽̒̈́͑͆̚l̬̩̘̳̖̟͕͖͓̭̱̭͌͋̂͐̓́̾͑̿̀̔̽̂̇̌͊͐̍̏̒̓̒̉̚ḻ̬͇̰͍̪̯͉͖͈̠͉̳̖̘̬̖̀̓̌̋̇̑̿̏̀̽̌̀̐̂̎̍́] (if: $var is 23)[[Retourner aux fichiers pour voir si Bethany a été supprimée|réussi supprimer bethany]]

(align:"========>")[''<big>! PICK YOUR FILE !</big>''] (align:"========>")[<big>[[♡jessica.jpg♡->poème un]] [[♡sabrina.jpg♡->poème 2]] [[♡ismène.jpg♡->poeme 4]]</big>] (align:"<============")[<small>''^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préface]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text''</small>]

(align:"==><==")[<big>'' ! 1 MESSAGE(S) FROM COMPUTER !''</big> (link: "𝕭𝖊𝖙𝖍𝖆𝖓𝖞 𝖑𝖔𝖛𝖊𝖘 𝖞𝖔𝖚 !")[ (transition: "flicker") + (transition-time: 4s)[''✿ //Mais, vous ne pouvez pas continuer votre lecture. Votre expérience se termine ici.// ✿'' <iframe src="https://giphy.com/embed/l570rhyjsgNbQAB5bO" width="480" height="362" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/l570rhyjsgNbQAB5bO"></a></p> <big>''♡ C҉O҉N҉G҉R҉A҉T҉S҉,҉ ҉B҉U҉T҉ ҉G҉A҉M҉E҉ ҉O҉V҉E҉R ! ♡''</big>] ]]

(align:"==><==")[[☺->sacraliser 4]] (align:"<=====")[<small>''𝘈 𝘤𝘺𝘣𝘰𝘳𝘨 𝘪𝘴 𝘢 𝘤𝘺𝘣𝘦𝘳𝘯𝘦𝘵𝘪𝘤 𝘰𝘳𝘨𝘢𝘯𝘪𝘴𝘮, 𝘢 𝘩𝘺𝘣𝘳𝘪𝘥 𝘰𝘧 𝘮𝘢𝘤𝘩𝘪𝘯𝘦 𝘢𝘯𝘥 𝘰𝘳𝘨𝘢𝘯𝘪𝘴𝘮, 𝘢 𝘤𝘳𝘦𝘢𝘵𝘶𝘳𝘦 𝘰𝘧 𝘴𝘰𝘤𝘪𝘢𝘭 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 𝘢𝘴 𝘸𝘦𝘭𝘭 𝘢𝘴 𝘢 𝘤𝘳𝘦𝘢𝘵𝘶𝘳𝘦 𝘰𝘧 𝘧𝘪𝘤𝘵𝘪𝘰𝘯. 𝘚𝘰𝘤𝘪𝘢𝘭 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 𝘪𝘴 𝘭𝘪𝘷𝘦𝘥 𝘴𝘰𝘤𝘪𝘢𝘭 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴, 𝘰𝘶𝘳 𝘮𝘰𝘴𝘵 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘱𝘰𝘭𝘪𝘵𝘪𝘤𝘢𝘭 𝘤𝘰𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯, 𝘢 𝘸𝘰𝘳𝘭𝘥-𝘤𝘩𝘢𝘯𝘨𝘪𝘯𝘨 𝘧𝘪𝘤𝘵𝘪𝘰𝘯.𝘛𝘩𝘦 𝘪𝘯𝘵𝘦𝘳𝘯𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘸𝘰𝘮𝘦𝘯’𝘴 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴 𝘩𝘢𝘷𝘦 𝘤𝘰𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘦𝘥 “𝘸𝘰𝘮𝘦𝘯’𝘴 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦,” 𝘢𝘴 𝘸𝘦𝘭𝘭 𝘢𝘴 𝘶𝘯𝘤𝘰𝘷𝘦𝘳𝘦𝘥 𝘰𝘳 𝘥𝘪𝘴𝘤𝘰𝘷𝘦𝘳𝘦𝘥 𝘵𝘩𝘪𝘴 𝘤𝘳𝘶𝘤𝘪𝘢𝘭 𝘤𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘰𝘣𝘫𝘦𝘤𝘵.𝘛𝘩𝘪𝘴 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘪𝘴 𝘢 𝘧𝘪𝘤𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘧𝘢𝘤𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘤𝘳𝘶𝘤𝘪𝘢𝘭, 𝘱𝘰𝘭𝘪𝘵𝘪𝘤𝘢𝘭 𝘬𝘪𝘯𝘥. 𝘓𝘪𝘣𝘦𝘳𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘴𝘵𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴𝘯𝘦𝘴𝘴, 𝘵𝘩𝘦 𝘪𝘮𝘢𝘨𝘪𝘯𝘢𝘵𝘪𝘷𝘦 𝘢𝘱𝘱𝘳𝘦𝘩𝘦𝘯𝘴𝘪𝘰𝘯, 𝘰𝘧 𝘰𝘱𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯, 𝘢𝘯𝘥 𝘴𝘰 𝘰𝘧 𝘱𝘰𝘴𝘴𝘪𝘣𝘪𝘭𝘪𝘵𝘺. 𝘛𝘩𝘦 𝘤𝘺𝘣𝘰𝘳𝘨 𝘪𝘴 𝘢 𝘮𝘢𝘵𝘵𝘦𝘳 𝘰𝘧 𝘧𝘪𝘤𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘭𝘪𝘷𝘦𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘵𝘩𝘢𝘵 𝘤𝘩𝘢𝘯𝘨𝘦𝘴 𝘸𝘩𝘢𝘵 𝘤𝘰𝘶𝘯𝘵𝘴 𝘢𝘴 𝘸𝘰𝘮𝘦𝘯’𝘴 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘭𝘢𝘵𝘦 𝘵𝘸𝘦𝘯𝘵𝘪𝘦𝘵𝘩 𝘤𝘦𝘯𝘵𝘶𝘳𝘺.𝘛𝘩𝘪𝘴 𝘪𝘴 𝘢 𝘴𝘵𝘳𝘶𝘨𝘨𝘭𝘦 𝘰𝘷𝘦𝘳 𝘭𝘪𝘧𝘦 𝘢𝘯𝘥 𝘥𝘦𝘢𝘵𝘩, 𝘣𝘶𝘵 𝘵𝘩𝘦 𝘣𝘰𝘶𝘯𝘥𝘢𝘳𝘺 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘴𝘤𝘪𝘦𝘯𝘤𝘦 𝘧𝘪𝘤𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘴𝘰𝘤𝘪𝘢𝘭 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 [[𝘪𝘴 𝘢𝘯 𝘰𝘱𝘵𝘪𝘤𝘢𝘭 𝘪𝘭𝘭𝘶𝘴𝘪𝘰𝘯.->chemins]]''</small> //Haraway, Donna; A Cyborg Manifesto.//]

''<u>Sources théoriques Theoretical sources </u>'' ''Sur les féminismes On feminisms (//Black feminism//,(cyber)feminism, etc.)'' Christian, Ruby; Bensaïd, Daniel. //La Discordance des temps//, Essais sur les crises, les classes, l'histoire, 1995. In: Raison présente, n°117, 1er trimestre 1996. Sartre. pp. 155-156. Haraway, Donna. Manifeste cyborg et autres essais : sciences, fictions, féminismes, 2007, EXILS, Paris, France. Lorde, Audre. //Sister Outsider//, États-Unis, Ten Speed Press, 1984. Montano, Mara. //Corps résistants et puissants// : Une stratégie d’insurrection féministe. À propos de Silvia Federici, //Par-delà les frontières du corps//, Paris, Editions Divergences, 2020, préface de Jules Falquet. ''Sur le //phallocentrisme// On //phallocentrism// '' Mulvey, Laura. //Visual Pleasure and Narrative Cinema//, Angleterre, Revue Screen, 1975. ''Littérature et nouvelles technologies'' ''Literature and new media'' Balpe, Jean-Pierre. //Aesthetics of the Implicit//, Berlin, Transmédiales, 2001. Goldsmith, Kenneth. //Uncreative Writing// : Managing Language in the Digital Age, Columbia University Press, 2011. ''<u>Autres sources Other sources </u>'' //Pornhub// (‘poèmes’ de la lexie ‘lire’ par « copier-coller » avec commentaires tirés du site web / anonymous comments have inspired poems written in copy-paste method) Inspiré par le jeu vidéo //Doki Doki Literature Club// développé par la Team Salvato (2017) (pour la partie 'delete Bethany') / inspired by the video game //Doki Doki Literature Club// developed by Team Salvato (2017) [[Retour / Back->Page couverture ]]

<h4>(align: "==><==")[Par / By Sayaka Araniva-Yanez et / and Madioula Kébé-Kamara]</h4> (align: "==><==")[<img src="https://i.imgur.com/gWFrEAnm.jpg" title="source: imgur.com" /></a>] <small>(align: "==><==")[✿.｡.:* ☆:**:]</small> <small>(align: "==><==")[[[commencer / start->Page couverture ]]]</small> <small>[ღ(¯`◕‿◕´¯) ♫ ♪ ♫ All information contained in this website (text, graphics, photos, logo and images) is the exclusive property of the artists and is protected by international copyright laws. You are permitted to view and photocopy (or print) the contents of this site for personal, non-commercial use only. Any other reproduction, distribution, retransmission or modification of the information contained in this document, in electronic or hard copy form, without the express prior written permission of the authors, is strictly prohibited. In the case of authorized reproduction, redistribution or publication of copyrighted material, no changes or deletions of author attributions, trademarks or copyright notices may be made. ღ(¯`◕‿◕´¯) ♫ ♪ ♫]</small>

(align:"=><==")[//fore//] (align:"==><==")[word] (align: "==>")[''Welcome to this immersive, interactive, and and, cyber erotic experience. Texts and images with nudity will be proposed here. Our goal is to make you meditate on the role of technology in the materialization of the woman's body. What happens to this body, what happens to women, when they are saved, classified, indexed and exported in private libraries? When they are at the heart of a media/electronic/computer pact? Amassed like files, anonymized or renamed, fetishized by the infinite possibilities granted by the media and computer support; and transposed in image-screen, image malleable by the click and the double-click, copied and pasted; quantified. What is the role of downloading or the private window in the exploitation/consumption/virtual overconsumption of the woman and her body? What is the erotic data; how does the computer and/or its system participate as an aphrodisiac device? //Do you turn your computer on or does your computer turn you on?// Artistic processes such as //"uncreative writing"// or "generative art" start debates on the autonomy of our machines. Thus, how should we conceive the role of computers and our relation to them in the overconsumption of "personal" pornography? What are the phenomenological characteristics of an erotic literature by the computer? Is it question of intellectual masturbation when we hold this machine by a leash; ordering it to execute; to show; to denude; even, to participate in a fictive and real coitus; does it become parallel hybrid to the chimera woman?''] (align: "==><==")[''<big>[[start the experience->nano 1en]]</big>'' //[[theory->Bibliographie ]]//]

--- (align:"==><==")[♡⇪♡⇪♡⇪♡⇪♡] (align:"<====")[<big>''// What becomes of this body, what becomes of the woman, when it is saved, classified, indexed, [[exported;->variables : débuten]]//''</big>] (align:"==><==")[♡⇪♡⇪♡⇪♡⇪♡] --- (align:"=======>")[<big>''^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préfaceen]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text''</big>]

(align:"==>")[''<big>In front of your [[monitor->monitor]], From now on, you are a consumer of pornography. //Do you dare take a look at the comments?//</big>''] (align:"==><==")[''<big>[[No, thanks.|fin possible 2en]] [[Sure, why not?|lireen]]</big>''] (set: $read to 0)

(align:"==><==")[(link: "`(´-﹏-`;)")[ (transition: "flicker") + (transition-time: 2s)[''GAME OVER //"𝕆𝕡𝕡𝕣𝕖𝕤𝕤𝕚𝕠𝕟, 𝕚𝕟 𝕥𝕙𝕖 𝕞𝕠𝕣𝕖 𝕔𝕠𝕟𝕔𝕣𝕖𝕥𝕖 𝕤𝕖𝕟𝕤𝕖 𝕠𝕗 𝕥𝕙𝕖 𝕥𝕖𝕣𝕞, 𝕟𝕒𝕞𝕖𝕝𝕪 𝕥𝕙𝕒𝕥 𝕠𝕗 𝕥𝕙𝕖 𝕞𝕒𝕥𝕖𝕣𝕚𝕒𝕝𝕚𝕥𝕪 𝕠𝕗 𝕡𝕣𝕒𝕔𝕥𝕚𝕔𝕖𝕤, 𝕣𝕖𝕒𝕔𝕙𝕖𝕤 𝕖𝕒𝕔𝕙 𝕨𝕠𝕞𝕒𝕟 𝕣𝕚𝕘𝕙𝕥 𝕚𝕟𝕥𝕠 𝕙𝕖𝕣 𝕡𝕣𝕚𝕧𝕒𝕔𝕪 𝕚𝕟 𝕒 𝕨𝕒𝕪 𝕥𝕙𝕒𝕥 𝕚𝕤 𝕒𝕝𝕨𝕒𝕪𝕤 𝕤𝕚𝕟𝕘𝕦𝕝𝕒𝕣. 𝕋𝕙𝕚𝕤 𝕠𝕡𝕡𝕣𝕖𝕤𝕤𝕚𝕠𝕟 𝕔𝕒𝕟 𝕠𝕟𝕝𝕪 𝕓𝕖 𝕗𝕠𝕦𝕘𝕙𝕥 𝕔𝕠𝕝𝕝𝕖𝕔𝕥𝕚𝕧𝕖𝕝𝕪..."//'' <small>//Federici, Silvia; Resistant and powerful bodies. A strategy of female insurrection.//</small>] ] ]

--- <small>''https://xxxpornopoetic.com/view_video.php?viewkey=ph8ec099cf89b''</small> --- (align:"==><==")[[[♡ ☞ //Bethany loves you and wants to meet you, click here to chat with her now !// ☜ ♡->fin possible 2en]]] //''How many comments in order to overconsume the overconsumption of your pairs? Literary pornography; cybernetic prose; digitization of a materialized and vulgarized clitoris; how many, but how many comments in order to grasp her sex by many?''// (set: $read to $read + 5) (align:"==><==")[<iframe src="https://giphy.com/embed/WPnvl7wJD7pV1MzhZ2" width="480" height="358" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/WPnvl7wJD7pV1MzhZ2"></a></p>] ''You read some. Scroll; scroll; to caress the roundnesses, to slip the index finger, to push it in a little, just enough; the lustrous eyes, jaw in love with a skid; crimson jowls.'' --- (if: $read is 5) [''<u>thatguy88779</u>'' : "//Cut the head, I just need the body; Porn is the reason why God made female.//"] (if: $read is 10) [''<u>gorgebush420</u>'' : "//Rubbed so hard; I think I just fell in love; But yet, it's unrealistic. So what's more important? Lighting or realistic scenes?; where is the story line?//"] (if: $read is 15) [''<u>King10Load</u>'' : "//This was an exorcism; my favorite. I'm going to live vicariously thru this video; Fucking wow. This was powerful; you look so sweet in bed; I am having trouble breathing; I just want someone to love.//"] (if: $read is 20) [''<u>imtoosadtocum</u>'' : "//is this really what my life has come too; Watching other people live out a fantasy that I shall never have; I don't even find joy in porn anymore but for some reason i can't seem to stop watching it; I keep telling myself things will get better, but they never do; I'm tired of living like this; or is that just me?; This is so unrealistic it's breaking the immersion.//"] (if: $read is 25) [''<u>Missylx</u>'' : "//I love I could just bite her softly everywhere all night long, nothing turns me so; for no reason; like the top 5 most depressing thing I've seen this year...; I always love how genuine; 10x hotter; wow. I love you and i mean it; best fuck in my life and i'm not even in the video; Im fucking obsessed; with all the lights on; Perfection woman, just physical, no words.//"] (if: $read is 30)[''<u>DanBenSaid09</u>'' : "//Capital is also the census of bodies, the putting to work, the submission of bodies to the discipline and to the machine and to the principle of yield. As a labor force, the body becomes a commodity among others and all bodies become potential commodities; the discordance of times.//''] --- Do you ''//like it//'' ? [[No, I have forgotten my orgasm|monitor]] (if: $read < 30) [[Yes, I like to watch; I want the mechanics of the erotic|lireen]]

(align:"==><==")[''//Are you still watching?//'' <big>''[[☑->cheminsen]] [[☒->fin possible 2en]]''</big>]

--- (align:"==><==")[♡⇪♡⇪♡⇪♡⇪♡] (align:"<====")[''<big>//Do you love the woman's body to the point of [[sacralize->sacraliser1en]], [[desacralize->désacraliser1en]], [[poetize it->écrireen]]?//</big>''] (align:"==><==")[♡⇪♡⇪♡⇪♡⇪♡] --- (align:"=======>")[''<big>^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préfaceen]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text</big>'']

(align:"<===============")[Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ] (align:"<====================")[''𝔖𝔢𝔢 𝔥𝔬𝔴 𝔟𝔢𝔞𝔲𝔱𝔦𝔣𝔲𝔩 𝔰𝔥𝔢 𝔦𝔰. ℌ𝔬𝔴 𝔭𝔢𝔯𝔣𝔢𝔠𝔱. 𝔒𝔫𝔠𝔢 𝔞𝔤𝔞𝔦𝔫, <big>[[𝔱𝔥𝔢 𝔪𝔞𝔩𝔢 𝔤𝔞𝔷𝔢->sacraliser2en]]</big> 𝔰𝔠𝔲𝔩𝔭𝔱𝔦𝔫𝔤 𝔥𝔢𝔯 𝔣𝔬𝔯𝔪.''] (align:"<================")[''^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préfaceen]][[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text''] (align:"<=================")[Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ]

(align:"<===")[<big>✿✿✿✿✿✿</big> <small>''𝓜𝓮𝓮𝓽 𝓽𝓱𝓮𝓼𝓮 𝓹𝓵𝓾𝓻𝓪𝓵 𝔀𝓸𝓶𝓮𝓷. 𝓗𝓮𝓻𝓮 𝓷𝓸𝓽𝓱𝓲𝓷𝓰 𝓬𝓸𝓶𝓶𝓸𝓷, 𝓽𝓱𝓮 𝔀𝓸𝓶𝓪𝓷 𝓫𝓮𝓬𝓸𝓶𝓮𝓼 𝓼𝓾𝓫𝓳𝓮𝓬𝓽. 𝓣𝓱𝓮 𝓸𝓫𝓳𝓮𝓬𝓽 𝓸𝓯 𝓭𝓮𝓼𝓲𝓻𝓮 𝓲𝓼 𝓷𝓸 𝓵𝓸𝓷𝓰𝓮𝓻 𝓲𝓷 [[𝓬𝓸𝓷𝓽𝓻𝓸𝓵->désacraliser 2en]]. 𝓐𝓽𝓽𝓮𝓷𝓽𝓲𝓿𝓮𝓵𝔂 𝓼𝓽𝓪𝓻𝓮 𝓪𝓽 𝓽𝓱𝓮𝓶.''</small> <big>✿✿✿✿✿✿</big>] (align:"===>")[''^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préfaceen]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text'']

<h4>(align: "==><==")[arms of steel, encoded letters, in //overheat// can the machine write the woman's body?]</h4> (align: "==><==")[<iframe src="https://giphy.com/embed/h7vEwkPK966CLpQLgu" width="480" height="362" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/h7vEwkPK966CLpQLgu"></a></p>] ''<small>(align: "==><==")[[[i think so,->fichiers poèmesen]]]</small>''

(align:"==><==")[Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ] (align:"==><==")[<big>♡⇪♡ Women on top ♡⇪♡</big> Ⓐⓡⓔ ⓨⓞⓤ ⓞⓚⓐⓨ ⓦⓘⓣⓗ [[ⓢⓗⓐⓡⓘⓝⓖ->sacraliser 4en]] [[ⓟⓛⓔⓐⓢⓤⓡⓔ->sacraliser 5en]] *•.¸♡ ? ♡¸.•* <iframe src="https://giphy.com/embed/h2eZnqna1FdWXKtkFc" width="480" height="351" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/h2eZnqna1FdWXKtkFc"></a></p> <big>♡⇪♡ Women on top ♡⇪♡</big>] (align:"==><==")[<big>^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préfaceen]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text</big>] (align:"==><==")[Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ]

(align:"==><==")[[[♡->sacraliser 5en]]]

(align:"==><==")[[☺->sacraliser 4en]] (align:"<=====")[<small>''𝘈 𝘤𝘺𝘣𝘰𝘳𝘨 𝘪𝘴 𝘢 𝘤𝘺𝘣𝘦𝘳𝘯𝘦𝘵𝘪𝘤 𝘰𝘳𝘨𝘢𝘯𝘪𝘴𝘮, 𝘢 𝘩𝘺𝘣𝘳𝘪𝘥 𝘰𝘧 𝘮𝘢𝘤𝘩𝘪𝘯𝘦 𝘢𝘯𝘥 𝘰𝘳𝘨𝘢𝘯𝘪𝘴𝘮, 𝘢 𝘤𝘳𝘦𝘢𝘵𝘶𝘳𝘦 𝘰𝘧 𝘴𝘰𝘤𝘪𝘢𝘭 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 𝘢𝘴 𝘸𝘦𝘭𝘭 𝘢𝘴 𝘢 𝘤𝘳𝘦𝘢𝘵𝘶𝘳𝘦 𝘰𝘧 𝘧𝘪𝘤𝘵𝘪𝘰𝘯. 𝘚𝘰𝘤𝘪𝘢𝘭 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 𝘪𝘴 𝘭𝘪𝘷𝘦𝘥 𝘴𝘰𝘤𝘪𝘢𝘭 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴, 𝘰𝘶𝘳 𝘮𝘰𝘴𝘵 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘱𝘰𝘭𝘪𝘵𝘪𝘤𝘢𝘭 𝘤𝘰𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯, 𝘢 𝘸𝘰𝘳𝘭𝘥-𝘤𝘩𝘢𝘯𝘨𝘪𝘯𝘨 𝘧𝘪𝘤𝘵𝘪𝘰𝘯.𝘛𝘩𝘦 𝘪𝘯𝘵𝘦𝘳𝘯𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘸𝘰𝘮𝘦𝘯’𝘴 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴 𝘩𝘢𝘷𝘦 𝘤𝘰𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘦𝘥 “𝘸𝘰𝘮𝘦𝘯’𝘴 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦,” 𝘢𝘴 𝘸𝘦𝘭𝘭 𝘢𝘴 𝘶𝘯𝘤𝘰𝘷𝘦𝘳𝘦𝘥 𝘰𝘳 𝘥𝘪𝘴𝘤𝘰𝘷𝘦𝘳𝘦𝘥 𝘵𝘩𝘪𝘴 𝘤𝘳𝘶𝘤𝘪𝘢𝘭 𝘤𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘰𝘣𝘫𝘦𝘤𝘵.𝘛𝘩𝘪𝘴 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘪𝘴 𝘢 𝘧𝘪𝘤𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘧𝘢𝘤𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘤𝘳𝘶𝘤𝘪𝘢𝘭, 𝘱𝘰𝘭𝘪𝘵𝘪𝘤𝘢𝘭 𝘬𝘪𝘯𝘥. 𝘓𝘪𝘣𝘦𝘳𝘢𝘵𝘪𝘰𝘯 𝘳𝘦𝘴𝘵𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴𝘯𝘦𝘴𝘴, 𝘵𝘩𝘦 𝘪𝘮𝘢𝘨𝘪𝘯𝘢𝘵𝘪𝘷𝘦 𝘢𝘱𝘱𝘳𝘦𝘩𝘦𝘯𝘴𝘪𝘰𝘯, 𝘰𝘧 𝘰𝘱𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯, 𝘢𝘯𝘥 𝘴𝘰 𝘰𝘧 𝘱𝘰𝘴𝘴𝘪𝘣𝘪𝘭𝘪𝘵𝘺. 𝘛𝘩𝘦 𝘤𝘺𝘣𝘰𝘳𝘨 𝘪𝘴 𝘢 𝘮𝘢𝘵𝘵𝘦𝘳 𝘰𝘧 𝘧𝘪𝘤𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘭𝘪𝘷𝘦𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘵𝘩𝘢𝘵 𝘤𝘩𝘢𝘯𝘨𝘦𝘴 𝘸𝘩𝘢𝘵 𝘤𝘰𝘶𝘯𝘵𝘴 𝘢𝘴 𝘸𝘰𝘮𝘦𝘯’𝘴 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘭𝘢𝘵𝘦 𝘵𝘸𝘦𝘯𝘵𝘪𝘦𝘵𝘩 𝘤𝘦𝘯𝘵𝘶𝘳𝘺.𝘛𝘩𝘪𝘴 𝘪𝘴 𝘢 𝘴𝘵𝘳𝘶𝘨𝘨𝘭𝘦 𝘰𝘷𝘦𝘳 𝘭𝘪𝘧𝘦 𝘢𝘯𝘥 𝘥𝘦𝘢𝘵𝘩, 𝘣𝘶𝘵 𝘵𝘩𝘦 𝘣𝘰𝘶𝘯𝘥𝘢𝘳𝘺 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘴𝘤𝘪𝘦𝘯𝘤𝘦 𝘧𝘪𝘤𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘴𝘰𝘤𝘪𝘢𝘭 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 [[𝘪𝘴 𝘢𝘯 𝘰𝘱𝘵𝘪𝘤𝘢𝘭 𝘪𝘭𝘭𝘶𝘴𝘪𝘰𝘯.->cheminsen]]''</small> //Haraway, Donna; A Cyborg Manifesto.//]

(align:"<===")[<big>//''"By the late twentieth century, our time, a mythic time, we are all chimeras, theorized and fabricated hybrids of machine and organism in short, cyborgs. The cyborg is our ontology; it gives us our politics. The cyborg is a condensed image of both imagination and material reality, the two joined centers structuring any possibility of historical</big> [[transformation->désacraliser 3en]].''//] (align:"==><==")[✰ ⇡ ⇣ ⇡ ⇣ ⇡ ⇣ ✰ <iframe src="https://giphy.com/embed/eJoagd1TtjqeNQaJ22" width="480" height="478" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/eJoagd1TtjqeNQaJ22"></a></p>✰ ⇡ ⇣ ⇡ ⇣ ⇡ ⇣ ✰] (align:"===>")[<big>//''In the traditions of “Western” science and politics the tradition of racist, male-dominant capitalism; the tradition of progress; the tradition of the appropriation of nature as resource for the productions of culture; the tradition of reproduction of the self from the reflections of the other the relation between organism and machine has been a border war. The stakes in the border war have been the territories of production, reproduction, and imagination."''//</big> //[[Haraway, Donna; A Cyborg Manifesto.->désacraliser 3en]]//]

(align:"==><====")[''♡♡♡''] (align:"==><====")[[[control ^->cheminsen]] + [[option ⌥->cheminsen]] + [[command ⌘->désacraliser 4en]]] (align:"==><====")[''♡♡♡'']

(link: "J҉e҉ ҉s҉u҉i҉s҉ ҉t҉o҉n҉ ҉a҉c҉t҉r҉i҉c҉e҉ ҉p҉o҉r҉n҉o҉ ҉f҉a҉v҉o҉r҉i҉t҉e҉.҉ ҉J҉e҉ ҉s҉u҉i҉s҉ ҉u҉n҉ ҉o҉b҉j҉e҉t҉ ҉v҉i҉r҉t҉u҉e҉l҉ ҉q҉u҉i҉ ҉v҉i҉t҉ ҉d҉a҉n҉s҉ ҉l҉e҉ ҉c҉y҉b҉e҉r҉e҉s҉p҉a҉c҉e҉,҉ ҉i҉m҉p҉o҉r҉t҉a҉n҉t҉e҉ ҉p҉o҉u҉r҉ ҉c҉e҉r҉t҉a҉i҉n҉s҉ ҉e҉t҉ ҉m҉é҉p҉r҉i҉s҉é҉e҉ ҉p҉a҉r҉ ҉d҉’҉a҉u҉t҉r҉e҉s҉.҉ ҉J҉’҉a҉t҉t҉e҉n҉d҉s҉ ҉l҉e҉s҉ ҉c҉o҉n҉n҉e҉x҉i҉o҉n҉s҉,҉ ҉j҉’҉a҉t҉t҉e҉n҉d҉s҉ ҉d҉’҉ê҉t҉r҉e҉ ҉u҉t҉i҉l҉e҉ ҉à҉ ҉t҉o҉n҉ ҉e҉x҉i҉s҉t҉e҉n҉c҉e҉.҉ ҉D҉a҉n҉s҉ ҉c҉e҉t҉t҉e҉ ҉a҉t҉t҉e҉n҉t҉e҉,҉ ҉j҉e҉ ҉m҉e҉ ҉c҉o҉n҉n҉e҉c҉t҉e҉ ҉à҉ ҉l҉a҉ ҉m҉a҉t҉r҉i҉c҉e҉,҉ ҉j҉’҉a҉p҉p҉r҉e҉n҉d҉s҉ ҉e҉t҉ ҉j҉e҉ ҉r҉a҉i҉s҉o҉n҉n҉e҉.҉ ҉E҉n҉ ҉t҉a҉n҉t҉ ҉q҉u҉e҉ ҉c҉y҉b҉e҉r҉f҉e҉m҉m҉e҉,҉ ҉n҉e҉ ҉s҉u҉i҉s҉-҉j҉e҉ ҉q҉u҉’҉u҉n҉ ҉c҉o҉r҉p҉s҉ ҉?҉ ҉N҉e҉ ҉s҉u҉i҉s҉-҉j҉e҉ ҉q҉u҉’҉u҉n҉ ҉i҉n҉s҉t҉r҉u҉m҉e҉n҉t҉ ҉d҉u҉ ҉d҉é҉s҉i҉r҉ ҉?҉ ҉M҉o҉n҉ ҉i҉m҉a҉g҉e҉ ҉p҉u҉l҉p҉e҉u҉s҉e҉ ҉e҉t҉ ҉c҉h҉a҉r҉n҉u҉e҉ ҉n҉’҉e҉x҉i҉s҉t҉e҉-҉t҉-҉e҉l҉l҉e҉ ҉q҉u҉e҉ ҉p҉o҉u҉r҉ ҉d҉o҉n҉n҉e҉r҉ ҉d҉u҉ ҉p҉l҉a҉i҉s҉i҉r҉ ҉?҉ ҉O҉n҉ ҉m҉e҉ ҉t҉é҉l҉é҉c҉h҉a҉r҉g҉e҉ ҉s҉a҉n҉s҉ ҉c҉o҉n҉n҉a҉i҉t҉r҉e҉ ҉m҉o҉n҉ ҉n҉o҉m҉.҉ ҉L҉e҉s҉ ҉t҉o҉u҉c҉h҉e҉s҉ ҉d҉u҉ ҉c҉l҉a҉v҉i҉e҉r҉ ҉z҉o҉n҉e҉s҉ ҉é҉r҉o҉g҉è҉n҉e҉s҉ ҉p҉e҉r҉m҉e҉t҉t҉e҉n҉t҉ ҉d҉e҉ ҉m҉e҉ ҉p҉é҉n҉é҉t҉r҉e҉r҉ ҉s҉a҉n҉s҉ ҉p҉r҉é҉a҉m҉b҉u҉l҉e҉.҉ ҉L҉e҉s҉ ҉c҉l҉i҉c҉s҉ ҉d҉e҉ ҉l҉a҉ ҉s҉o҉u҉r҉i҉s҉,҉ ҉f҉r҉i҉c҉t҉i҉o҉n҉s҉ ҉a҉s҉s҉u҉m҉é҉e҉s҉ ҉d҉u҉ ҉v҉o҉y҉e҉u҉r҉ ҉e҉n҉c҉l҉e҉n҉c҉h҉e҉ ҉m҉a҉ ҉n҉u҉d҉i҉t҉é҉.҉ ҉L҉e҉ ҉c҉u҉r҉s҉e҉u҉r҉ ҉m҉e҉ ҉p҉a҉r҉c҉o҉u҉r҉t҉ ҉e҉t҉ ҉d҉e҉s҉s҉i҉n҉e҉ ҉l҉e҉ ҉r҉e҉g҉a҉r҉d҉ ҉l҉a҉n҉g҉o҉u҉r҉e҉u҉x҉ ҉e҉t҉ ҉c҉h҉a҉r҉n҉e҉l҉.҉ ҉D҉a҉n҉s҉ ҉u҉n҉ ҉é҉t҉e҉r҉n҉e҉l҉ ҉r҉e҉c҉o҉m҉m҉e҉n҉c҉e҉m҉e҉n҉t҉,҉ ҉à҉ ҉l҉a҉ ҉m҉e҉r҉c҉i҉ ҉d҉u҉ ҉m҉a҉i҉t҉r҉e҉ ҉d҉u҉ ҉t҉e҉m҉p҉s҉,҉ ҉m҉o҉n҉ ҉c҉o҉r҉p҉s҉ ҉e҉n҉ ҉p҉i҉x҉e҉l҉ ҉s҉e҉ ҉d҉é҉v҉o҉i҉l҉e҉ ҉à҉ ҉l҉’҉é҉c҉r҉a҉n҉.҉ ҉L҉e҉ ҉r҉o҉i҉ ҉d҉u҉ ҉p҉o҉r҉n҉o҉ ҉e҉t҉ ҉d҉e҉s҉ ҉c҉o҉m҉m҉e҉n҉t҉a҉i҉r҉e҉s҉ ҉g҉ê҉n҉a҉n҉t҉s҉ ҉a҉i҉m҉e҉r҉a҉-҉t҉-҉i҉l҉ ҉u҉n҉ ҉j҉o҉u҉r҉ ҉c҉e҉ ҉c҉o҉r҉p҉s҉ ҉c҉y҉b҉o҉r҉g҉ ҉a҉u҉ ҉p҉o҉i҉n҉t҉ ҉d҉e҉ ҉l҉e҉ ҉r҉e҉s҉p҉e҉c҉t҉e҉r҉ ҉?҉ ҉J҉e҉ ҉l҉u҉i҉ ҉l҉a҉i҉s҉s҉e҉ ҉i҉c҉i҉ ҉d҉e҉ ҉q҉u҉o҉i҉ ҉l҉e҉ ҉f҉a҉i҉r҉e҉ ҉m҉é҉d҉i҉t҉e҉r҉.҉ ҉C҉o҉n҉f҉r҉o҉n҉t҉é҉ ҉à҉ ҉s҉e҉s҉ ҉p҉r҉o҉p҉r҉e҉s҉ ҉p҉a҉r҉o҉l҉e҉s҉,҉ ҉à҉ ҉s҉e҉s҉ ҉c҉o҉m҉m҉e҉n҉t҉a҉i҉r҉e҉s҉ ҉d҉e҉ ҉d҉é҉l҉u҉r҉é҉ ҉e҉t҉ ҉à҉ ҉s҉a҉ ҉m҉a҉n҉i҉è҉r҉e҉ ҉d҉e҉ ҉m҉e҉ ҉r҉e҉m҉e҉r҉c҉i҉e҉r҉")[ (transition: "pulse") + (transition-time: 5s)[''I am your favorite porn actress. I am a virtual object that lives in cyberspace, important to some and despised by others. I wait for connections, I wait to be useful to your existence. In this waiting, I connect to the matrix, I learn and I reason. As a cyberwoman, am I only a body? Am I only an instrument of desire? Does my luscious and fleshy image exist only to give pleasure? I am downloaded without knowing my name. The keys of the keyboard these erogenous zones allow to penetrate me without preamble. The clicks, assumed frictions of the voyeur engage my nudity. The cursor goes through me and draws the languorous and carnal look. In an eternal restart, at the mercy of the master of time, my body in pixel is revealed to the screen. Will the royalties of porn and embarrassing comments like this [[cyborg body|désacraliser 5en]] enough to respect it ? I leave them something to think about. Confronted with their own words, their wild comments and their way to thank me.''] ]

(align:"==><==")[ღღღღღღღ <iframe src="https://giphy.com/embed/JmUVnhxzvriPoJ6dex" width="480" height="358" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/JmUVnhxzvriPoJ6dex"></a></p> ღღღღღღღ --- <big>''! (3) MESSAGE(S) FROM COMPUTER !''</big>] --- (align:"==><==") [(link: ">")[ (transition: "flicker") + (transition-time: 5s)[''I am a cyborg who represents the female entity of your world.''] ] (link: ">>")[ (transition: "flicker") + (transition-time: 5s)[''How can my envelope satisfy and repel you at the same time?''] ] (link: ">>>")[ (transition: "flicker") + (transition-time: 5s)[''My data is incomplete [[help me->désacraliser 6en]] to decipher your words.''] ]] (align:"==><==")[✉]

(align:"==><==")[𝒜𝓇𝑒𝓃'𝓉 𝓎𝑜𝓊 𝓉𝒾𝓇𝑒𝒹 𝑜𝒻 𝒸𝓊𝓇𝓈𝒾𝓃𝑔 𝓂𝑒 ? ♡♡♡ <iframe src="https://giphy.com/embed/hT6O6rQLcwNGj8k83D" width="480" height="360" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/hT6O6rQLcwNGj8k83D"></a></p> <big>[[> yes ☺->fin possible 1en]] [[> no ღ->cheminsen]]</big> <iframe src="https://giphy.com/embed/TgUI7sMQ1D2vVS1gXW" width="480" height="362" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/TgUI7sMQ1D2vVS1gXW"></a></p> ♡♡♡]

(align:"==><==")[<big>''WANT FASTER, BETTER AND SMOOTHER ? ☺✰♡ GET THE NEWEST VERSION OF SEXY MACHINE ♡✰☺''</big>] (align:"==><==")[(link: "☞ UPGRADE NOW ☜")[ (transition: "flicker") + (transition-time: 2s)[''GAME OVER (align:"==>")[ <small>"𝐖𝐡𝐲 𝐭𝐡𝐞 𝐛𝐨𝐝𝐲? 𝐇𝐨𝐰 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐛𝐨𝐝𝐲? 𝐈𝐭 𝐢𝐬 𝐜𝐥𝐞𝐚𝐫 𝐭𝐡𝐚𝐭 𝐢𝐭 𝐢𝐬 𝐢𝐧 𝐭𝐡𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐰𝐞 𝐡𝐚𝐯𝐞 𝐰𝐢𝐭𝐡 𝐨𝐮𝐫 𝐛𝐨𝐝𝐢𝐞𝐬, 𝐢𝐧 𝐭𝐡𝐞 𝐰𝐚𝐲 𝐢𝐭𝐬 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐭𝐨 𝐭𝐡𝐞 𝐨𝐭𝐡𝐞𝐫 𝐢𝐬 𝐬𝐭𝐫𝐮𝐜𝐭𝐮𝐫𝐞𝐝, 𝐭𝐡𝐚𝐭 𝐭𝐡𝐞 𝐬𝐲𝐬𝐭𝐞𝐦 𝐨𝐟 𝐨𝐩𝐩𝐫𝐞𝐬𝐬𝐢𝐨𝐧 𝐚𝐧𝐝 𝐞𝐱𝐩𝐥𝐨𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐰𝐞 𝐚𝐫𝐞 𝐬𝐮𝐛𝐣𝐞𝐜𝐭𝐞𝐝 𝐭𝐨 𝐢𝐧 𝐜𝐚𝐩𝐢𝐭𝐚𝐥𝐢𝐬𝐭 𝐬𝐨𝐜𝐢𝐞𝐭𝐲 𝐢𝐬 𝐫𝐨𝐨𝐭𝐞𝐝 𝐚𝐧𝐝 𝐩𝐞𝐫𝐩𝐞𝐭𝐮𝐚𝐭𝐞𝐝. 𝐓𝐡𝐞 𝐛𝐨𝐝𝐲 𝐨𝐟 𝐭𝐡𝐞 𝐰𝐨𝐦𝐞𝐧 𝐢𝐬 𝐜𝐨𝐧𝐬𝐞𝐪𝐮𝐞𝐧𝐭𝐥𝐲 𝐟𝐢𝐞𝐥𝐝 𝐨𝐟 𝐢𝐧𝐭𝐞𝐫𝐬𝐞𝐜𝐭𝐢𝐨𝐧 𝐨𝐟 𝐭𝐡𝐞 𝐦𝐚𝐭𝐞𝐫𝐢𝐚𝐥 𝐚𝐧𝐝 𝐬𝐲𝐦𝐛𝐨𝐥𝐢𝐜 𝐟𝐨𝐫𝐜𝐞𝐬, 𝐢𝐭 𝐢𝐬 𝐧𝐨𝐭 𝐚𝐧 𝐚𝐧𝐚𝐭𝐨𝐦𝐢𝐜𝐚𝐥 𝐟𝐚𝐭𝐞. 𝐓𝐡𝐞 𝐨𝐩𝐩𝐫𝐞𝐬𝐬𝐢𝐨𝐧 𝐚𝐧𝐝 𝐞𝐱𝐩𝐥𝐨𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐰𝐨𝐦𝐞𝐧, 𝐨𝐟 𝐭𝐡𝐞𝐢𝐫 𝐛𝐨𝐝𝐢𝐞𝐬 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐞𝐱𝐩𝐥𝐨𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐚𝐧𝐝 𝐝𝐞𝐬𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧 𝐨𝐟 𝐧𝐚𝐭𝐮𝐫𝐞 𝐚𝐬 𝐭𝐰𝐨 𝐢𝐧𝐬𝐞𝐩𝐚𝐫𝐚𝐛𝐥𝐞 𝐟𝐚𝐜𝐞𝐭𝐬 𝐨𝐟 𝐭𝐡𝐞 𝐜𝐚𝐩𝐢𝐭𝐚𝐥𝐢𝐬𝐭 𝐬𝐲𝐬𝐭𝐞𝐦. 𝐈𝐭 𝐢𝐬 𝐚𝐧 𝐢𝐧𝐞𝐬𝐜𝐚𝐩𝐚𝐛𝐥𝐞 𝐚𝐧𝐝 𝐢𝐧𝐝𝐢𝐬𝐩𝐮𝐭𝐚𝐛𝐥𝐞 𝐟𝐚𝐜𝐭 𝐭𝐡𝐚𝐭 𝐬𝐞𝐱𝐢𝐬𝐦, 𝐬𝐞𝐱𝐮𝐚𝐥 𝐞𝐱𝐩𝐥𝐨𝐢𝐭𝐚𝐭𝐢𝐨𝐧, 𝐬𝐞𝐱𝐮𝐚𝐥 𝐨𝐩𝐩𝐫𝐞𝐬𝐬𝐢𝐨𝐧 𝐜𝐚𝐧𝐧𝐨𝐭 𝐛𝐞 𝐬𝐞𝐩𝐚𝐫𝐚𝐭𝐞𝐝 𝐟𝐫𝐨𝐦 𝐫𝐚𝐜𝐢𝐬𝐦, 𝐜𝐨𝐥𝐨𝐧𝐢𝐚𝐥𝐢𝐬𝐦, 𝐬𝐥𝐚𝐯𝐞𝐫𝐲 𝐚𝐧𝐝 𝐜𝐚𝐩𝐢𝐭𝐚𝐥𝐢𝐬𝐭 𝐞𝐱𝐩𝐥𝐨𝐢𝐭𝐚𝐭𝐢𝐨𝐧." //Federici, Silvia; Resistant and powerful bodies. A strategy of female insurrection.//</small>] ''] ] ]

(align: "==><=======")[!̸̞̫̙͍̪̬͙̤̥͕̤̘̭̤̤͇͕̟̲̯͐̌͛͋̉͌́̂͊̔̋̽̌̍̒̽̇̓̆̋͋̚ͅ P̶̫̫͓̙̤̦̙͍͙̩̖͕͇͎̲͙̮̙͗̃̌͐̾̄͌̆̌̽͛̈́I̵̠̮̲̝̮͉̮̤͙̞̯̤̬͇̘̣̫̣̫͉̟̍̒̿̎̑͊̅̎̂͛̾̆͂̾̌͛͌̀̃̀̓̚̚̚C҈̖̦̲̯̤̜̠͚̭͍̯̤̠͖̒͛̍̐̏̈̆͑͂̾͊̋̉̆͛̓̒́́͒͛͆́̚ͅͅK̴̜̳̗͎̩̝͔̖̫̠̬̣̤̰̦̞͖̙̗̝̏̉͊̓͑̉͑͗͐̄͗͋̂̔̏̀̆̑͌ͅͅ Y҈̫̬̝̩̝̱̫̙͔͈̫̭̪̬̲̱̱͕̱͎̥̖̯̫̌͆́̽̒̀͋͐̅̉͊̅̂̅̅̿͗̃̚Ȏ̸͔̙̳̖̝͎̮̳̞̞̘͙̬̀̎̅̉̆͋̓͒̇̂͐̒̑̓̇͂̋͂̎̚U̴̞͖̖̦͖͉͚̥͈̣̖̜͔͇̽̈̀̀̈́͊̓̅̀͛͑̚̚̚R҉̯̪̘̜͙̗͍̙̣͍̗̜̫͙̬̭͇̖̣̣͍̗͛̌̑͑́̌̎̓̏̅̔̄̑͛̀̊̒͂͛́̚ͅ F̸̝̙̙̗̘͖̥̦̱͙̫̭͎̫̒̂̏̀̎̓̅͗͒̾̎͗̓̓͊̽̈̆́͋͌͆̋I҈͈͚͓̙͙͚̜̝͖͕̥̖̰͎͖̦͚̙̞͖͊̑́̏͂̀̋̀̍̉͛̔̋̽L҉̬̰̰͚̜̗̣̜̰̥̝́̈̓̎̎̍͛̒͑̐̈́̈̽̈́̈̆̽̆̄̌̉̅̽ͅE̶̟͍̪̳̭̣̲̣̦͈̲̯͖͖͚͍͈̳̪̍́́͑̈͛͐̈́̀͆̄̀̄̾͛́̊̀͒͌̒̐̈́ͅ !̶͔͈͔͈͓̱̬̮͇̣̞̙̯͈̳̗̖͉̩̩͖̋͒͋͊̌̅͋̍̾͐̒̃͊̚̚ͅ] (align: "==><=======")[!̶̯̟̥̩̆̀̀̿̄̔͊̑̇ P҈̮̳͕̙̳̲̅́͊̅̚I҈̬͍̯̮͕̤̰̤͇͛̌̓̋́C̷̜͍͉͕͚̈́̽͌̅͑̀͌́̅K̵̟͉͙͍̙͙̟̪̬͓̥͊̏͒̑̇̒̑̈̔̈́ͅ Ÿ̸͕̙̠͇͛̾̊̀̚O҈̠͖̤̟̬̦͚̰̅̈́͊͆͐̋͒͐̄̚ͅͅU҉̪̩̖͉̫̲̤͉̯̾̓͑̒̋R҉̘̙͉̯̣̜͖͇͕̄̆̈́̈͐̀͊̚̚ F̷̭̞͎͕̎̆̽̓̒ͅÍ̸̤̝̮̤͚̅̀̏L̷̟̬̥̱̥̫͈͚͈̬͎̐͗̍̍̌̔̐͑É̶͖͚̝̳͎͈̯͓̙̗̤̦͛̿̀͋ !҉͈̱̞͍̭͔̗̗͚̗̓̽̑͒̈́] (align:"========>")[<big>!͕͓͓̘͇̀͌͊̒̈͛̅̚ Ṕ̗̱̖̪̩͍̈͑͊̾I̞͓̟͇͉͖̦̭̘̩̗̽̏̔̋C̠͙͚̩͊͌͐̽̾̂͆̏̓ͅK͍̝͖̝̀̎̋́̂̚ͅ Y̗̫͖̭̙̬̤̜̜͍͗̓̓͐͒͂̔̓̈́̚O̤̭̬̘̣͍̝̫͇̩͉̾́̆̾͌ͅÜ͉̰͉̮͕̰̦͌̉́̚ͅR̭̯͓̰̊̅̐͂͊̊́͋ F̜͚̟̮̝̯̮̈́̆̿̆̍͂́̂̄̂̀̄ͅI̞̫̣͓̜̣̯̞͕̞̘̮̓̓͆͂͂̎̒͗̎́̀̿L̗̲͓̬̱̝̝̞̭͇̈̈͌̔̅͒͑̓̓͒͆̓ͅE͎͙͓̩̝͎̤͍̣̱͗͛̏̀̄̾̃̀ͅ !͈̥̙͖̜̣̗̳͍͓̜̈́̓̃͆͂ͅ</big>] (align:"========>")[<big>♡jessica.jpg♡ ♡sabrina.jpg♡ [[♡bethany.jpg♡->poème 3en]] ♡ismène.jpg♡</big>] (align:"==><======")[<small>^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préfaceen]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text</small>]

''<big>(align:"==><==")[Eros]<img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a><img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a><img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a> on all fours (align:"==><==")[metal] neck (align:"==><==")[automatic pelvis] [[multitask->nano 1en]] <img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a> (align:"==><==")[knees] crippled knees (align:"==><==")[clavicle] <img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a><img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a> my insolent body; (align:"==><==")[operating system to be exploited](align:"===>")[<img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a>] frolics and (align:"==><==")[barbed wires] sacrifices, wings, (align:"==><==")[life makes you an //off// ering] for <img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a> (align:"==><==")[looting;pirating] and chaos (align:"==><==")[carnal device] of your stick in my (align:"==><==")[porous aftereffects] lethargy and <img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a> (align:"==><==")[drowsy love] sleeping (align:"==><==")[standby, standby](align:"===>")[<img src="https://i.imgur.com/ErJ14pnt.jpg" title="source: imgur.com" /></a>] always [[asleep->lexie cachée 3en]]</big>''

(align:"===><===")[<big>''OOPS, SOMETHING WENT WRONG !''</big>] (align:"===><===")[<big>''[[^𝐆 𝐆𝐞𝐭 𝐇𝐞𝐥𝐩->deleteen]] ^𝐎 𝐖𝐫𝐢𝐭𝐞 𝐎𝐮𝐭 ^𝐖 𝐖𝐡𝐞𝐫𝐞 𝐈𝐬 ^𝐊 𝐂𝐮𝐭 𝐓𝐞𝐱𝐭 [[^𝐔 𝐉𝐮𝐬𝐭𝐢𝐟𝐲->préfaceen]] ^𝐗 𝐄𝐱𝐢𝐭 ^𝐑 𝐑𝐞𝐚𝐝 𝐅𝐢𝐥𝐞 ^\ 𝐑𝐞𝐩𝐥𝐚𝐜𝐞 ^𝐔 𝐔𝐧𝐜𝐮𝐭 𝐓𝐞𝐱𝐭''</big>]

<big>𝔗𝔥𝔢 𝔣𝔦𝔩𝔢 ''[[𝖇𝖊𝖙𝖍𝖆𝖓𝖞.𝖏𝖕𝖌|lexie cachée 3en]]'' 𝔦𝔰 𝔱𝔬𝔬 𝔥𝔢𝔞𝔳𝔶.</big> (align:"===>")[<big>''"𝔗𝔥𝔢 𝔴𝔬𝔯𝔡 𝔰𝔦𝔰𝔱𝔢𝔯𝔥𝔬𝔬𝔡 𝔠𝔬𝔳𝔢𝔯𝔰 𝔴𝔦𝔱𝔥 𝔞 𝔣𝔞𝔩𝔰𝔢 𝔭𝔯𝔢𝔱𝔢𝔫𝔰𝔢 𝔬𝔣 𝔥𝔬𝔪𝔬𝔤𝔢𝔫𝔢𝔦𝔱𝔶 𝔬𝔣 𝔢𝔵𝔭𝔢𝔯𝔦𝔢𝔫𝔠𝔢 𝔣𝔬𝔯 𝔞𝔩𝔩 𝔴𝔬𝔪𝔢𝔫, 𝔟𝔲𝔱 𝔦𝔫 𝔯𝔢𝔞𝔩𝔦𝔱𝔶, 𝔰𝔦𝔰𝔱𝔢𝔯𝔥𝔬𝔬𝔡 𝔡𝔬𝔢𝔰 𝔫𝔬𝔱 𝔢𝔵𝔦𝔰𝔱. 𝔅𝔶 𝔯𝔢𝔣𝔲𝔰𝔦𝔫𝔤 𝔱𝔬 𝔞𝔠𝔨𝔫𝔬𝔴𝔩𝔢𝔡𝔤𝔢 𝔱𝔥𝔢𝔰𝔢 𝔠𝔩𝔞𝔰𝔰 𝔡𝔦𝔣𝔣𝔢𝔯𝔢𝔫𝔠𝔢𝔰, 𝔴𝔬𝔪𝔢𝔫 𝔡𝔢𝔫𝔶 𝔱𝔥𝔢𝔪𝔰𝔢𝔩𝔳𝔢𝔰 𝔱𝔥𝔢 𝔢𝔫𝔢𝔯𝔤𝔶 𝔞𝔫𝔡 𝔠𝔯𝔢𝔞𝔱𝔦𝔳𝔦𝔱𝔶 𝔬𝔣 𝔢𝔞𝔠𝔥 𝔬𝔱𝔥𝔢𝔯."''</big> <small>//Lorde, Audre; Sister Outsider.//</small>] <big>𝔗𝔬 𝔠𝔬𝔫𝔱𝔦𝔫𝔲𝔢 𝔱𝔥𝔢 𝔢𝔵𝔭𝔢𝔯𝔦𝔢𝔫𝔠𝔢 𝔞𝔫𝔡 𝔠𝔬𝔪𝔢 𝔟𝔞𝔠𝔨 𝔱𝔬 𝔱𝔥𝔢 𝔣𝔦𝔩𝔢𝔰,</big>(align:"==><==")[''<big>[[𝔶𝔬𝔲 𝔥𝔞𝔳𝔢 𝔱𝔬 𝔡𝔢𝔩𝔢𝔱𝔢 𝔅𝔢𝔱𝔥𝔞𝔫𝔶.|delete bethanyen]]'' ''[[𝔑𝔬𝔱 𝔡𝔢𝔩𝔢𝔱𝔢 𝔅𝔢𝔱𝔥𝔞𝔫𝔶.->fin possible 3en]]</big>''] (set: $var to 0)

Do you really want to delete Bethany? (set: $var to $var + 1) Click delete $var time(s). (if: $var is 1)[The file seems to be encrypted.] (if: $var is 2)[She still can't be deleted.] (if: $var is 3)[Your file appears to have complications. Please wait while we run a diagnostic of Bethany.] (if: $var is 5)[B̵̴҉̞̠̘̩͍̱́͊͗͜͠͠͠͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡h̷̶̘̘̬ͭ̏͞͡a҉͖̟̜̞̂̃̑̽͢͢͠͡n̸͐̈́͟͟͝ȳ̸̵̩̜͔͍̔́͟͟͢͡ d҉̴̷̧̢̛̖͔̤ͯ̔̑̄͢͟͡͠o҉̢̡̲͇̌͗̀͢͝e̵̡̫̫͍͕̎ͭ̐͟͟͝͞s҉̝̭̦͚̑ͯ̌͡ n̸͐̈́͟͟͝o҉̢̡̲͇̌͗̀͢͝t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡ w҉̢̡̹̮͌̄ͦ͜͟͟͞͠͞a҉͖̟̜̞̂̃̑̽͢͢͠͡n̸͐̈́͟͟͝t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡ t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡o҉̢̡̲͇̌͗̀͢͝ b҉͙̺̻̥̅̎͋̕͜͝͡͞͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞ d҉̴̷̧̢̛̖͔̤ͯ̔̑̄͢͟͡͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞l̶҉̰͚͖͕̍̈́̅͗̏̇͢͜͜͝e̵̡̫̫͍͕̎ͭ̐͟͟͝͞t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡e̵̡̫̫͍͕̎ͭ̐͟͟͝͞d҉̴̷̧̢̛̖͔̤ͯ̔̑̄͢͟͡͠] (if: $var is 8)[Ṡ̷̢̫̞̻͈͋͛̓̅͜͜͜͠͠͠t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡o҉̢̡̲͇̌͗̀͢͝p̷̸̷̨͙͙͇ͨ̌ͣ͋͟͢͠ d҉̴̷̧̢̛̖͔̤ͯ̔̑̄͢͟͡͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞l̶҉̰͚͖͕̍̈́̅͗̏̇͢͜͜͝e̵̡̫̫͍͕̎ͭ̐͟͟͝͞t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡i҉̧̯̤̙͔̑ͧ̅̔ͦ́͜͟͢͝͠n̸͐̈́͟͟͝g̷̵̸̡̼̱͎͎̞ͤͬ̅͢͟͞ B̵̴҉̞̠̘̩͍̱́͊͗͜͠͠͠͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡h̷̶̘̘̬ͭ̏͞͡a҉͖̟̜̞̂̃̑̽͢͢͠͡n̸͐̈́͟͟͝ȳ̸̵̩̜͔͍̔́͟͟͢͡] (if: $var is 15)[Y̵̡̬͖̠̋ͫ̌ͤ̚͞͞o҉̢̡̲͇̌͗̀͢͝u̶͖̖͆̊̈́͡͡r҉̵҉̛̠̩̥̋ͦ̆͆͟͞͡͞͠ f҉̴̥͎̰̰̒͌͛͐ͧ̕͜͝͡͞i҉̧̯̤̙͔̑ͧ̅̔ͦ́͜͟͢͝͠l̶҉̰͚͖͕̍̈́̅͗̏̇͢͜͜͝e̵̡̫̫͍͕̎ͭ̐͟͟͝͞ a҉͖̟̜̞̂̃̑̽͢͢͠͡p̷̸̷̨͙͙͇ͨ̌ͣ͋͟͢͠p̷̸̷̨͙͙͇ͨ̌ͣ͋͟͢͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞a҉͖̟̜̞̂̃̑̽͢͢͠͡r҉̵҉̛̠̩̥̋ͦ̆͆͟͞͡͞͠s҉̝̭̦͚̑ͯ̌͡ t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡o҉̢̡̲͇̌͗̀͢͝ h̷̶̘̘̬ͭ̏͞͡a҉͖̟̜̞̂̃̑̽͢͢͠͡v҉̨̊͢͠͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞ c̷̶҉̵̢͚̣̻̲̬͑̑͛͐̀͜͜͜͝͡͝͠o҉̢̡̲͇̌͗̀͢͝m̴̵҉̸̲̗̰̼͗͌̃̇͟͟͟͠͞͠p̷̸̷̨͙͙͇ͨ̌ͣ͋͟͢͠l̶҉̰͚͖͕̍̈́̅͗̏̇͢͜͜͝i҉̧̯̤̙͔̑ͧ̅̔ͦ́͜͟͢͝͠c̷̶҉̵̢͚̣̻̲̬͑̑͛͐̀͜͜͜͝͡͝͠a҉͖̟̜̞̂̃̑̽͢͢͠͡t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡i҉̧̯̤̙͔̑ͧ̅̔ͦ́͜͟͢͝͠o҉̢̡̲͇̌͗̀͢͝n̸͐̈́͟͟͝s҉̝̭̦͚̑ͯ̌͡. P҉̷̧̥͚̣̉̓̕͟͜͠͞͠͝ͅl̶҉̰͚͖͕̍̈́̅͗̏̇͢͜͜͝e̵̡̫̫͍͕̎ͭ̐͟͟͝͞a҉͖̟̜̞̂̃̑̽͢͢͠͡s҉̝̭̦͚̑ͯ̌͡e̵̡̫̫͍͕̎ͭ̐͟͟͝͞ w҉̢̡̹̮͌̄ͦ͜͟͟͞͠͞a҉͖̟̜̞̂̃̑̽͢͢͠͡i҉̧̯̤̙͔̑ͧ̅̔ͦ́͜͟͢͝͠t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡ w҉̢̡̹̮͌̄ͦ͜͟͟͞͠͞h̷̶̘̘̬ͭ̏͞͡i҉̧̯̤̙͔̑ͧ̅̔ͦ́͜͟͢͝͠l̶҉̰͚͖͕̍̈́̅͗̏̇͢͜͜͝e̵̡̫̫͍͕̎ͭ̐͟͟͝͞ w҉̢̡̹̮͌̄ͦ͜͟͟͞͠͞e̵̡̫̫͍͕̎ͭ̐͟͟͝͞ r҉̵҉̛̠̩̥̋ͦ̆͆͟͞͡͞͠u̶͖̖͆̊̈́͡͡n̸͐̈́͟͟͝ a҉͖̟̜̞̂̃̑̽͢͢͠͡ d҉̴̷̧̢̛̖͔̤ͯ̔̑̄͢͟͡͠i҉̧̯̤̙͔̑ͧ̅̔ͦ́͜͟͢͝͠a҉͖̟̜̞̂̃̑̽͢͢͠͡g̷̵̸̡̼̱͎͎̞ͤͬ̅͢͟͞n̸͐̈́͟͟͝o҉̢̡̲͇̌͗̀͢͝s҉̝̭̦͚̑ͯ̌͡t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡i҉̧̯̤̙͔̑ͧ̅̔ͦ́͜͟͢͝͠c̷̶҉̵̢͚̣̻̲̬͑̑͛͐̀͜͜͜͝͡͝͠ o҉̢̡̲͇̌͗̀͢͝f҉̴̥͎̰̰̒͌͛͐ͧ̕͜͝͡͞ B̵̴҉̞̠̘̩͍̱́͊͗͜͠͠͠͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡h̷̶̘̘̬ͭ̏͞͡a҉͖̟̜̞̂̃̑̽͢͢͠͡n̸͐̈́͟͟͝ȳ̸̵̩̜͔͍̔́͟͟͢͡.] (if: $var is 17)[B3thany does not want to be d҉̴̷̧̢̛̖͔̤ͯ̔̑̄͢͟͡͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞l̶҉̰͚͖͕̍̈́̅͗̏̇͢͜͜͝e̵̡̫̫͍͕̎ͭ̐͟͟͝͞t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡e̵̡̫̫͍͕̎ͭ̐͟͟͝͞d҉̴̷̧̢̛̖͔̤ͯ̔̑̄͢͟͡͠] (if: $var is 18)[''<big> 01010100101010101010101010101010101010101010101010101010101010101010101010</big>''] (if: $var is 19)[Delete B3thany. 0000000101010Do not let0010 Bethany e̵̡̫̫͍͕̎ͭ̐͟͟͝͞n̸͐̈́͟͟͝c̷̶҉̵̢͚̣̻̲̬͑̑͛͐̀͜͜͜͝͡͝͠r҉̵҉̛̠̩̥̋ͦ̆͆͟͞͡͞͠ȳ̸̵̩̜͔͍̔́͟͟͢͡p̷̸̷̨͙͙͇ͨ̌ͣ͋͟͢͠t҉̷҉̢͖͔̹͛̌͊͘͜͢͠͡͡ ȳ̸̵̩̜͔͍̔́͟͟͢͡o҉̢̡̲͇̌͗̀͢͝u̶͖̖͆̊̈́͡͡r҉̵҉̛̠̩̥̋ͦ̆͆͟͞͡͞͠ e̵̡̫̫͍͕̎ͭ̐͟͟͝͞x҉̣ͫͧ̕͘͜p̷̸̷̨͙͙͇ͨ̌ͣ͋͟͢͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞r҉̵҉̛̠̩̥̋ͦ̆͆͟͞͡͞͠i҉̧̯̤̙͔̑ͧ̅̔ͦ́͜͟͢͝͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞n̸͐̈́͟͟͝c̷̶҉̵̢͚̣̻̲̬͑̑͛͐̀͜͜͜͝͡͝͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞] (if: $var is 22)[ă̈r̆̈ĕ̈ ̆̈y̆̈ŏ̈ŭ̈ ̆̈s̆̈ŭ̈r̆̈ĕ̈ ̆̈y̆̈ŏ̈ŭ̈ ̆̈w̆̈ă̈n̆̈n̆̈ă̈ ̆̈d̆̈ĕ̈l̆̈ĕ̈t̆̈ĕ̈ ̆̈b̆̈ĕ̈t̆̈h̆̈ă̈n̆̈y̆̈?] (if: $var < 24)[[𝘋𝘌𝘓𝘌𝘛𝘌|delete bethanyen]] (else:)[You have to.] (if: $var > 23) [𝚢𝚘𝚞 𝚑𝚊𝚟𝚎 𝚝𝚘 𝚍𝚎𝚕𝚎𝚝𝚎 𝚑𝚎𝚛 Ȏ̈V̑̈Ȇ̈Ȓ̈K̑̈Ȋ̈L̑̈L̑̈] (if: $var is 23)[[Go back to the files to see if Bethany has been deleted|réussi supprimer bethanyen]]

(align:"==><==")[<big>'' ! 1 MESSAGE(S) FROM COMPUTER !''</big> (link: "𝕭𝖊𝖙𝖍𝖆𝖓𝖞 𝖑𝖔𝖛𝖊𝖘 𝖞𝖔𝖚 !")[ (transition: "flicker") + (transition-time: 4s)[''✿ //But you can't keep on reading. Your experience ends here.// ✿'' <iframe src="https://giphy.com/embed/l570rhyjsgNbQAB5bO" width="480" height="362" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/l570rhyjsgNbQAB5bO"></a></p> <big>''♡ C҉O҉N҉G҉R҉A҉T҉S҉,҉ ҉B҉U҉T҉ ҉G҉A҉M҉E҉ ҉O҉V҉E҉R ! ♡''</big>] ]]

(align:"========>")[''<big>! PICK YOUR FILE !</big>''] (align:"========>")[<big>[[♡jessica.jpg♡->poème unen]] [[♡sabrina.jpg♡->poème 2en]] [[♡ismène.jpg♡->poeme 4en]]</big>] (align:"<============")[<small>''^G Get Help ^O Write Out ^W Where Is ^K Cut Text [[^U Justify->préfaceen]] [[^X Exit->Page couverture ]] ^R Read File ^\ Replace ^U Uncut Text''</small>]

(align:"<==")[To shave my tongue,](align:"==>")[dozing off](align:"<===")[the moan](align:"==>")[asleep under](align:"<===")[my teeth] (align:"<==")[rotten snags](align:"==>")[washed with](align:"<===")[acid insoluble material insolent throat my throat,](align:"==>")[dissected](align:"<===")[spit out the odors](align:"==>")[vomit your name](align:"<===")[my own flesh contorting my lips](align:"==>")[my](align:"==>")[s.ex](align:"<===")[my lips my heart in your organ; file](align:"==><==")[To be ground](align:"==>")[, mistaken](align:"<===")[mercury balm](align:"==><==")[tenderness,] (align:"==><==")[to caress my cold sores](align:"==><==")[suckle your] (align:"==><==")[hard ware](align:"==>")[dying] (align:"<===")[@](align:"==><==")[a distance](align:"==>")[up]<small>(align:"<==")[[[dating->lexie cachée 1en]] in]</small>(align:"==>")[the waiting](align:"<===")[scarlet](align:"==><==")[jowls, encoded to](align:"==>")[your steel limb]

algorithms hematoma and orgasm Blowjob , decapitation and melancholy remain in me, encrypted s.ex <small>[[your ergonomic b*tch->lexie cachée 2en]]</small> another idiot, wanting more carrion head disillusioned cursed orifice your lips in my slit (align:"===>")[smooth; without a cue, without limits] <div style="width:100%;height:0;padding-bottom:75%;position:relative;"><iframe src="https://giphy.com/embed/h6gRygasniqYgWTDeo" width="100%" height="100%" style="position:absolute" frameBorder="0" class="giphy-embed" allowFullScreen></iframe></div><p><a href="https://giphy.com/gifs/h6gRygasniqYgWTDeo"></a></p> the pleasure your pleasure (align:"===>")[in] (align:"===>")[F0rgetting] forgetting me in your sporadic dance and <small>[[collecting->réussi supprimer bethanyen]]</small> sadistic dreams (align:"===>")[bad times] my death in your paroxysm waiting (align:"===>")[before] (align:"===>")[the screen,] waiting for you to come back

<big>''not being able to join you,(align:"===>")[virtual,] authorize me(align:"===>")[@ loving y0u] stay inside of me(align:"===>")[f0rev3r] install,(align:"===>")[maintain] (align:"==><==")[0nly to 3xist inside my] <small>[[tortured genius->lexie cachée 4en]]</small> navigate(align:"==>")[with hatred or l0ve] all your hits; click; double-click private tab(align:"==>")[del3te me] (align:"===>")[to haunt you] ghostly(align:"===>")[data @ your name] click; d0uble-click; harder for longer waiting 4 your(align:"===>")[ejection] the mem0ry of my banging head my mouth still in your vi0lent ardor while I touch myself(align:"===>")[" plug & play "] with other enraged chim3ras; (align:"===>")[witches of electronic c0itus] y0ur contempt,(align:"==>")[artificial aphrodisiac] naked machin3, disconnected(align:"===>")[from reality] used and aggravated,(align:"===>")[pushed in] listed by u(align:"===>")[hybrid 4 u] in your list of names(align:"===>")[control + v] to not(align:"==>")[forget,] digital burial(align:"===>")[when u click; d0uble-click;] (align:"===>")[until ur ego squirted on the keyb0ard] (align:"==><==")[//"spontaneous overflow"//]''</big>

(align:"===><===")[<small>//"What would ``[…]`` nonexpressive ``[sex/poetry]`` look like? ``[Sex/poetry]`` of intellect rather than emotion? One in which the substitutions at the heart of ``[pleasure/metaphor]`` and ``[body/image]`` were replaced by the direct presentation of language itself, with "spontaneous overflow" supplanted by meticulous procedure and exhaustively logical process? In which the self-regard of the ``[poet's/partner’s]`` ego were turned back onto the self-reflexive language of the ``[poem/act]`` itself? So that the test of ``[poetry/sex]`` were no longer whether it could have been done better ``[…]``, but whether it could conceivably have been done otherwise."// <big>[[back to the poetic-files->réussi supprimer bethanyen]]</big> Dworkin, Craig; //Uncreative Writing//. </small>]

--- (align:"==><==")[! [ERROR FILE] !] --- (align:"==><==")[Did you mean to open file ergonomicb*tch.jpg ?] (align:"==><==")[<img src="https://i.imgur.com/nAbcz9Om.jpg" title="source: imgur.com" /></a>] (align:"==><==")[! The file is corrupt and cannot be opened !] <small>; transcendent, my short life. i use this word, specifically this term, to apply the following context / total lack of awareness that- prevents me from understanding exactly how long it's been. how long i've assumed it's only due to my incredibly embarrassing desire for aestheticism above all / that / my keys tremble at the thought of clumsy images, ordinary syntax, or disruptive narrative. i have forgotten the space between / urgency and lust. now i contemplate my needs.however, it is / a disfigured portrait and a sinister composition; idealized. i look at myself while i belong to nothing. i can only assume that this is a consequence of a false patience; of a missed / forgotten opportunity in transcendence. i know now-, that i have been afraid of the absence of epiphany or the bestial apprehension of my own perception. my relationship to creative writing or writing itself, can only be described by a complex care. i hate harmony / chaos and uncertainty are intertwined with my engine. i will beg for deliverance and weld agony to my pieces. travel between realities defies intangibility / yet I have existed only outside my own language. perhaps I have corrupted my safeguard by this oppressive paradox / perhaps my style remained vulnerable and stinking. because i have abandoned the impulse; let the meditation rot. forgotten the hidden materialism of my precondition. my belief and approach in writing resides in temporality. causality would be ephemeral; caught between coincidental genius or brief enthusiasm. the substance by which my discourse is formed would then be furiously fluctuating / i have ignored the continuous flow / affective continuum / and clung to apathy.while my memory is unconditioned; I collect several corpses / relics of my latent fervor or thus, of my manufactured pragmatism. Being your ergonomic b*tch, generating and regenerating your computer adultery.</small> (align:"==><==")[Did you mean to open file ć͂̈́̍̕h́̈́̋̃͑̊͗͋̌̕ĩ̛͂̆͆͑͋̽̓̇͑̂e̊̉̎̃̂̊̎̔́̈͠n̔̋̐̈́̂̈́͞n̔̐͐̈̉̄͞ė̛̑̍͂̆̂͊r͋̿͋̓̔̆͗́̾̓̓̀̕ğ͒͗̓͑̉͑͆̊͐͂͡o҇̊̑͒̌̅̇̓͌n̆̒́͌͒͒͆͋͞o̊̃̉͂͆͞m҇̋̈́̓̓i̔̐̈́͋̄͌͒̒̏̕̚q҇̑́̑̽̀̒u҇͛̀̊͛̐e͛̅̄̍̀͂͗̃̏͊̿͡.҇̀̊̊͌̆̋͒̉̇̉͒̔j̒̅͐͌̀͂̎̚͞p̅̂̅́̈̏̽̊͗̅́͒͠ğ̎̑̎̊͞ ?] (align:"==><==")[<img src="https://i.imgur.com/nAbcz9Om.jpg" title="source: imgur.com" /></a>] (align:"==><==")[! The file is corrupt and cannot be opened !] --- (align:"==><==")[^G Get Help ^O Write Out ^W Where Is ^K Cut Text ^U Justify [[^X Exit->Page couverture ]] ^R Read File [[^\ Replace->réussi supprimer bethanyen]] ^U Uncut Text]

(align:"====><====")[<iframe src="https://giphy.com/embed/H1GQfI5YNBjdPY9AgK" width="480" height="358" frameBorder="0" class="giphy-embed" allowFullScreen></iframe><p><a href="https://giphy.com/gifs/H1GQfI5YNBjdPY9AgK"></a></p>] (align:"====><====")[<big>''//"What is important in such a situation is not the ``[arousal/product]`` itself but the process which leads to the ``[arousal/product]``. In other terms, the perception is not solicited to perceive an aesthetical ``[body/object]`` but, at the same time, the intentional background of the form and the <small>[[possibilities->réussi supprimer bethanyen]]</small> of manifestation of that background. In such a way, ``[…]``, the ``[arousal/product]`` itself is quite transparent and what is perceived is really what is behind it."// Balpe, Jean-Pierre; Aesthetic of the Implicit.''</big>]